First entry Xe siècle (≈ 1050)
Parish listed among the oldest.
XIe siècle
Donation to the Abbey
Donation to the Abbey XIe siècle (≈ 1150)
Offered by Elbe de Châtelaillon to Saint-Cyprien.
XIIe siècle
Construction façade
Construction façade XIIe siècle (≈ 1250)
Romanesque facade, the only original part left.
XVe siècle
Enlargement na
Enlargement na XVe siècle (≈ 1550)
Southward expansion postwar of Religion.
XVIIe siècle
North wall repair
North wall repair XVIIe siècle (≈ 1750)
Reconstruction after religious conflicts.
XVIIIe siècle
Choir construction
Choir construction XVIIIe siècle (≈ 1850)
Added choir and retable assigned.
16 septembre 1907
Front classification
Front classification 16 septembre 1907 (≈ 1907)
Protection for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Ranked MH
Key figures
Elbe, comte de Châtelaillon - Donor
Offered the church in Saint-Cyprien de Poitiers.
François Louis Brossard de Beaulieu - Painter assigned
Suspected author of the table of retable.
Origin and history
The Notre-Dame de La Jarne church, located in the Charente-Maritime department in New Aquitaine, is one of the oldest places of worship in Aunis. It was mentioned in the 10th century and was offered in the 11th century by Elbe, Count of Châtelaillon, at the Abbey of Saint-Cyprien de Poitiers. This gift made it possible to enrich the priory of Doeuil-sur-le-Mignon, before the building finally returned to the bishop of Saintes. Its history thus reflects the religious and political exchanges of the medieval region.
The present structure of the church is the result of several construction and modification campaigns. The nave was enlarged in the 15th century on the south side, then in the 17th century on the north side, after the destruction of the Wars of Religion. The choir, dating from the 18th century, houses a altarpiece decorated with a painting attributed to François Louis Brossard de Beaulieu, painter of the French School. Only the facade, of Romanesque origin (XII century), remains partially, although it was retouched in the 19th century.
The façade, classified as a historical monument in 1907, is distinguished by its pure Romanesque style, divided into three registers and decorated with column-shaped foothills. The central portal, with a full archivot, is supported by monolithic columns, while the modillon cornices illustrate symbolic scenes, such as the fight against vices. These sculptures represent hybrid figures (sirens, centaurs) or scenes of struggle, reflecting medieval beliefs and fears. The campanile, a posterior addition, houses two bells and marks the architectural evolution of the building.
Dedicated to the Nativity of Mary, the Church of Our Lady embodies both religious and artistic heritage. Its altarpiece, its successive modifications and its classified façade bear witness to the cultural and architectural transformations of the Charente-Maritime, from the Romanesque period to the modern period.
Announcements
Please log in to post a review