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Church of Our Lady of La Jarne en Charente

Charente

Church of Our Lady of La Jarne


    La Jarne

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1000
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
Xe siècle
First entry
XIe siècle
Donation to the Abbey
XIIe siècle
Construction façade
XVe siècle
Enlargement na
XVIIe siècle
North wall repair
XVIIIe siècle
Choir construction
16 septembre 1907
Front classification
Aujourd'hui
Aujourd'hui

Heritage classified

Ranked MH

Key figures

Elbe, comte de Châtelaillon - Donor Offered the church in Saint-Cyprien de Poitiers.
François Louis Brossard de Beaulieu - Painter assigned Suspected author of the table of retable.

Origin and history

The Notre-Dame de La Jarne church, located in the Charente-Maritime department in New Aquitaine, is one of the oldest places of worship in Aunis. It was mentioned in the 10th century and was offered in the 11th century by Elbe, Count of Châtelaillon, at the Abbey of Saint-Cyprien de Poitiers. This gift made it possible to enrich the priory of Doeuil-sur-le-Mignon, before the building finally returned to the bishop of Saintes. Its history thus reflects the religious and political exchanges of the medieval region.

The present structure of the church is the result of several construction and modification campaigns. The nave was enlarged in the 15th century on the south side, then in the 17th century on the north side, after the destruction of the Wars of Religion. The choir, dating from the 18th century, houses a altarpiece decorated with a painting attributed to François Louis Brossard de Beaulieu, painter of the French School. Only the facade, of Romanesque origin (XII century), remains partially, although it was retouched in the 19th century.

The façade, classified as a historical monument in 1907, is distinguished by its pure Romanesque style, divided into three registers and decorated with column-shaped foothills. The central portal, with a full archivot, is supported by monolithic columns, while the modillon cornices illustrate symbolic scenes, such as the fight against vices. These sculptures represent hybrid figures (sirens, centaurs) or scenes of struggle, reflecting medieval beliefs and fears. The campanile, a posterior addition, houses two bells and marks the architectural evolution of the building.

Dedicated to the Nativity of Mary, the Church of Our Lady embodies both religious and artistic heritage. Its altarpiece, its successive modifications and its classified façade bear witness to the cultural and architectural transformations of the Charente-Maritime, from the Romanesque period to the modern period.

External links

Nearby establishments