Construction campaigns 1553, 1609, 1622, 1627 (≈ 1627)
Nef and choir built in four phases.
1809
Truncated Bell
Truncated Bell 1809 (≈ 1809)
Hit lightning.
1875
Replacement of the frame
Replacement of the frame 1875 (≈ 1875)
Only the beam of glory remains.
26 octobre 1910
Church ranking
Church ranking 26 octobre 1910 (≈ 1910)
Protection for historical monuments.
27 mars 1914
Classification of the parish enclosure
Classification of the parish enclosure 27 mars 1914 (≈ 1914)
Arch of triumph, cross and funeral chapel protected.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Case B 566): Order of 26 October 1910 - Arc de triomphe, cross and funeral chapel: classification by decree of 27 March 1914
Key figures
Antoine Chavagnac - Sculptor of the Navy
Author of *La Place au tombeau* (XVIIe).
Origin and history
The Church of Notre-Dame de Lampaul-Guimiliau, located in the Finistère, is a Catholic building built in the 16th and 17th centuries. It is part of a parish enclosure, typical of Brittany, including a triumphal arch, a cross and a funeral chapel. Its bell tower, originally comparable to that of the chapel Notre-Dame du Kreisker, was truncated by lightning in 1809, losing part of its original height.
The building underwent major changes, notably in 1875, when its structure was completely replaced, with the exception of the 16th century beam of glory. The latter, classified as a historic monument in 1910, is a central element of the church, separating the nave from the choir. She wears an expressive Crucifixion, surrounded by scenes of the Passion and the Annunciation. The church itself was classified in 1910, followed by the parish enclosure in 1914.
The interior of the church houses remarkable works, such as La Mise au tombeau (17th century), carved in tuffeau by Antoine Chavagnac, sculptor of the Marine in Brest. The altars, including that of the Passion, are distinguished by their ornamental richness, with torso columns and golden statues. Other notable elements include a keranton benigner representing devils, a 1760 pulpit to preach, and 17th century banners among the oldest in Brittany. The stained glass windows, although recomposed after the revolutionary destructions, bear witness to the turbulent history of the place.
Four construction campaigns, dated 1553, 1609, 1622 and 1627, shaped the church, from the nave to the Beaumanoir-style cut-pan choir. The bell tower, a symbol of local pride, had to compete with the Kreisker before being damaged. Today, the church and its enclosure, owned by the commune, remain major testimonies of Breton religious heritage.
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