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Notre-Dame de Rochepaule Church en Ardèche

Ardèche

Notre-Dame de Rochepaule Church

    390 Place de la Chapelle sous
    07320 Rochepaule

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
XIe siècle
Foundation of Benedictine Priory
1347–1352
Black pest
1485
Episcopal Ordinance
1562–1598
Wars of Religion
1638
Ecclesiastical survey
1793
Revolutionary closure
1802
Reopening to worship
1863–1865
Neo-Roman reconstruction
1906
Aborted inventory
1989–1990
Major renovation
2003
Creation of the present parish
Aujourd'hui
Aujourd'hui

Key figures

Pons de Tournon - Abbé de La Chaise-Dieu Found the Benedictine prioress in the 11th.
Louis Besset - Architect Co-conceptor of the church (1863–65).
Emmanuel Vitou - Architect Originally from Annonay, reconstructor of the church.
André Devys - Architect Participated in the neo-Roman reconstruction.
Pierre Lafon - Entrepreneur Master of reconstruction.
Jacques Ducray - Founder Lyon Cast the bell of 1765.
Pierre Vermare - Lyon Statuary Author of statues (XIX–XXe).
Jean-Marie Baptiste Vianney - Curé d'Ars Represented in a stained glass window (1962).

Origin and history

The church of Notre-Dame de Rochepaule, dedicated to the Assumption, finds its origins in the eleventh century with the foundation of a Benedictine priory by Pons de Tournon, abbot of La Chaise-Dieu. The site, then dependent on the diocese of Valencia, houses a first church built by the monks. The Black Pest (1347-1352) decimates the Benedictine community, causing their burial away from the village, where a Marian chapel is later erected, giving birth to the hamlet of La Chapelle-sous-Rochepaule. Despite the episcopal ban of 1485, this chapel became de facto a parish church, resistant to the turbulences of the Wars of Religion (1562-1598), which destroyed the neighbouring village.

In the seventeenth century, the Minimes replaced the Benedictines. A 1638 report describes a building in good condition, with a bell tower, two bells, and chapels dedicated to Saint Marguerite and Saint Blaise (later carried away by the Doux). The Revolution (1789) marked a turning point: the church was closed in 1793 and reopened in 1802 under the diocese of Mende, before being attached to Viviers in 1822. The Napoleonic cadastre of 1835 attests to its presence, but it was between 1863 and 1865 that it was rebuilt on its original site, under the direction of architects Louis Besset, Emmanuel Vitou, André Devys and entrepreneur Pierre Lafon.

The twentieth century was marked by religious tensions: in 1906, the inventory of the Church's property failed after the breakup of access bridges by the premises. The building, covered with lauzes (clocher renovated in 1937), underwent major renovations in 1989-1990. His stained glass windows, signed by Thomas Workshops (Valence), illustrate sacred scenes such as La Nativity (1965) or Saint Jean-François Régis (XIXe). The statues, some of which were carved by the Lyonnais Pierre Vermare or G. Bachini, and the liturgical objects (altars, Christ on the Cross) classified since 1982, bear witness to his rich heritage.

The parish organization evolved with history: after centuries under the authority of a single parish priest, the church incorporated in 1994 the Ensemble Inter Paroissial de Saint-Agrève, then the parish Saint-Agrève en Vivarais in 2003. Today, its unique nave architecture and lateral bell tower, as well as its three bells (one from 1765), make it a symbol of the ardèche heritage between Doux and Eyrieux.

External links