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Church of Notre-Dame de Saint-Père dans l'Yonne

Patrimoine classé
Patrimoine religieux
Architecture gothique flamboyant
Yonne

Church of Notre-Dame de Saint-Père

    6 Ruelle de l'Église
    89450 Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Église Notre-Dame de Saint-Père
Crédit photo : JC Allin - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
900
1200
1300
1800
1900
2000
vers 858-859
Foundation of the monastery
1240
Start of current construction
1840
Historical monument classification
1840-1849
Restoration by Viollet-le-Duc
1888-1898
Completion of restorations
Aujourd'hui
Aujourd'hui

Heritage classified

The church: list by 1840

Key figures

Girart de Vienne - Count of Vienna (IXth century) Founder of the original monastery around 858-859
Eugène Viollet-le-Duc - Architect-restaurant (11th century) Supervises works from 1840 to 1849
Paul Boeswillwald - Architect (11th century) Finish the restoration (1888-1898)

Origin and history

The Church of Notre-Dame de Saint-Père, located in the village of Saint-Père (Yonne), finds its origins in a monastery of women founded in the 9th century (c. 858-859) by Girart, Count of Vienna, in Vizeliacus (Vézelay-le-bas). This monastery, looted and then moved to the hill, reportedly housed a first Carolingian church, although recent research by the Centre for Medieval Studies in Auxerre questioned this traditional location. The remains south of the village would not correspond to this early chapel.

The construction of the present church began around 1240 under the impetus of the abbey of Vézelay, with elements dating from the thirteenth, fourteenth and fifteenth centuries. The tower, partly square and octagonal, as well as the 14th century porch, illustrate this architectural evolution. The choir and gallery, added in the 15th century, complete the 38-metre-long building, marked by successive Gothic styles.

Ranked a historic monument in 1840, the church underwent major restorations between 1840 and 1849 under the direction of Eugene Viollet-le-Duc, interrupted by lack of funds. Work resumed between 1888 and 1898 with Paul Boeswillwald, who completed the façade and porch. These 19th-century interventions, documented by Viollet-le-Duc himself, preserved notable sculptures such as those studied by Philippe Beyney in the 21st century.

Recent archaeological and historical studies, including those of Philippe Beyney (2020-2023) or Estelle Delmont (2004), highlight the importance of the portal and the sculptures deposited, providing new insights into the construction phases. The site, linked to the history of Vézelay and Morvan, remains a key testimony of Burgundy religious architecture, from its Carolingian origins to its Gothic and neo-Gothic transformations.

External links