First written entry 1176 (≈ 1176)
Charter of the Count of Rethel citing *Milone de Sorceyo*.
début XIVe siècle
Ecclesiastical chick
Ecclesiastical chick début XIVe siècle (≈ 1404)
Register placing the church under the authority of Sept-Fontaines.
1717
Installation of the high altar
Installation of the high altar 1717 (≈ 1717)
Tabernacle and retable dated by inscription.
1780
Filled with tithes
Filled with tithes 1780 (≈ 1780)
Abbeys of Sept-Fontaines, Élan and Saint-Remi involved.
1834
Partial destruction of the tower
Partial destruction of the tower 1834 (≈ 1834)
Uragan reduced its height to 30 meters.
1837
Installation of new bells
Installation of new bells 1837 (≈ 1837)
Alexandrine and Louise replace those lost.
1986
Historical monument classification
Historical monument classification 1986 (≈ 1986)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box B 195): Order of 5 May 1986
Key figures
Milone de Sorceyo - First cited in archives
Mentioned in 1176 in a charter.
Hubert Collin - Art historian
Stressed the originality of its facade.
F. Henriquez - Curé sponsor in 1717
Financed the high altar and its furniture.
Origin and history
The Church of Notre-Dame de Sorcy-Bauthémont, located in the Ardennes, is a rural building mainly Romanesque, built between the 12th and 16th centuries. Mentioned in 1176 in a charter of the Count of Rethel under the name Milone de Sorceyo, it is placed under the authority of the Abbey of Our Lady of Sept-Fontaines and dedicated to the Virgin Mary. Its existence is confirmed in stilettos (ecclesiastical registers) of the 14th and 18th centuries, where it appears as a place of worship dependent on the dean of the Châtelet.
The western facade, divided into three levels, is a masterpiece of Romanesque ornamentation. The gate in the middle of the hanger, surmounted by a four-lobe window and a cornice with acanthe leaves, evokes Gallo-Roman Corinthian architecture. Inside, the exposed nave and the dogid vaults of the transept cross reflect a Carolingian tradition. The square tower, partially destroyed by a hurricane in 1834, and carved wooden stalls (17th century) testify to subsequent transformations.
Ranked a historic monument in 1986, the church retains remarkable furniture, including a high altar dated 1717 and two bells installed in 1837, replacing those confiscated during the Revolution. Its history is linked to several regional abbeys, such as Saint-Remi de Reims and Sept-Fontaines, who perceived their tithes. The building thus illustrates the architectural and religious evolution of an Ardennes village over nearly nine centuries.
Historical sources, such as the Reims stilts or the works of historian Hubert Collin, underline his stylistic originality. Collin describes it as "the most beautiful facade of the region", highlighting the finesse of its ornamental sculpture. Despite the hazards (Revolution, hurricane), the church remains a major testimony of the Champagne-Ardennes Romanesque heritage.
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