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Notre-Dame de Théville Church dans la Manche

Manche

Notre-Dame de Théville Church

    14 Hameau de l'Église
    50330 Théville

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1700
1800
1900
2000
Milieu du XIIe siècle
Donation to the Abbey of Montebourg
Vers 1350
Sharing of sponsorship
1492
Judicial hearing
1594
First parish registers
1736–1743
Construction of the tower
XVIIe siècle
Modernisation of the choir
1780
Recovery of the nave
1793
Destruction of the arrow
1808
Replacement by a building
1844
Fire of sacristy
Aujourd'hui
Aujourd'hui

Key figures

Geoffroy de Montbray - Bishop of Coutances First patron of the church in the 11th century.
Guillaume (fils de Robert Estur de l'Isle) - Local Lord Gives the church to the Abbey of Montebourg.
Henri de Tilly - Lord and confirmer Validates donation in the 12th century.
Pape Adrien IV - Pontifical Authority Confirm the donation to Montebourg.
Jean de Tilly - 13th Century Boss Contests the rights of the abbey.
Guillaume Blondel - Curé in 1594 Initiate parish records.
François Daireaux - Curé in the 17th century Upgrades the choir and windows.
Louis-Charles Onfroy - Curé during the Revolution Deny the constitutional oath.
Gilles Gibon - Curé elected in 1792 Then give up the priesthood.
Abbé Cauchon - Curé in 1808 Fix the tower and build a presbytery.

Origin and history

The Notre-Dame de Théville church, located in the Manche department in Normandy, is a Catholic building whose origins date back to at least the twelfth century. It was initially placed under the patronage of Geoffroy de Montbray, bishop of Coutances, before being granted to the Abbey of Montebourg by Guillaume, son of Robert Estur de l'Isle. This donation, confirmed by Henry of Tilly and Pope Adrien IV, marked the beginning of a long history linked to the conflicts of patronage between the abbey and the family of Tilly, particularly around the rights of designation of the priest and the distribution of agricultural income (gerbs).

In the 13th century, Jean de Tilly exercised the right of patronage, but tensions persisted with Abbé de Montebourg, leading to a division of responsibilities around 1350. During the Hundred Years War, during the English occupation, this right was temporarily vested in King Henry V, as evidenced by Norman archives. In 1492, a judicial sentence finally restored patronage to the Abbey of Montebourg, ending decades of litigation. These conflicts illustrated the political and religious stakes of the time, when local lords and ecclesiastical institutions disputed the authority over parishes.

Major changes in the building began in the Renaissance. In 1594, the parish priest Guillaume Blondel initiated the first parish registers, while his successor, François Daireaux, modernized the choir in the 17th century: the Gothic windows were enlarged into basket handles, and a sacristy was added. In the 18th century, the works increased: construction of the present tower (1736–43), raising the nave (1780), and reconstruction of the presbytery. The Revolution marked a turning point with the refusal of the oath of parish priest Louis-Charles Onfroy, replaced by Gilles Gibon, before the first one returned in 1808 to finish his life there.

Climate and political hazards continue to mark the history of the church. In 1793, lightning destroyed the bell tower's arrow, replaced in 1808 by a building. A fire ravaged the sacristy in 1844, while repairs were financed by the state after a storm in 1833. The furniture, although partially renewed (master altar of the 19th century, retable of the 18th century), preserves remarkable pieces like a statue of St James of the 15th century, classified historical monument. These elements reflect the successive adaptations of the building to liturgical needs and material constraints.

Today, the Notre-Dame de Théville church is characterized by its unique nave without sideways and its bell tower in a building, inherited from the reconstructions of the 18th and 19th centuries. His cemetery attests to his central role in community life, while commemorative stained glass windows, such as the one dedicated to Pierre Bourdet who died during the First World War, recall his anchoring in local history. The building thus embodies nearly nine centuries of religious and social life in Normandy.

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