Initial construction XIIe siècle (≈ 1250)
Edification of the original Romanesque church.
XVIe siècle
Partial destruction
Partial destruction XVIe siècle (≈ 1650)
Religion wars: the church is damaged.
1740
Donation of a bell
Donation of a bell 1740 (≈ 1740)
Sponsored by Anne-Marie de Cathéu and her son.
1826
Major restoration
Major restoration 1826 (≈ 1826)
Funded by Marie-Thérèse de France, daughter of Louis XVI.
vers 1930
Discovery of frescoes
Discovery of frescoes vers 1930 (≈ 1930)
Appearance of medieval paintings during works.
13 avril 1989
Partial classification
Partial classification 13 avril 1989 (≈ 1989)
Registration of the two spans in the Historical Monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The two spans of the nave (cad
Key figures
Anne-Marie de Catheu - Lady of Fors
Sponsored a bell in 1740.
Marie-Thérèse de France - Royal Princess
Finances restoration in 1826.
Origin and history
The Church of Our Lady of Fors, originally built in the 12th century, was partially destroyed during the Wars of Religion. For more than two centuries, religious services were celebrated in the chaplaincy chapel, the only structure spared. This building then served as a substitute parish church, demonstrating the resilience of the local community to the religious conflicts that marked the region.
In 1740 the church received a bell offered by Anne-Marie de Catheu, Lady of Fors, and her son, marking a symbolic renewal. However, it was only in 1826 that the building was deeply restored, thanks to a donation from Marie-Thérèse of France, daughter of Louis XVI. This restoration restored the church's original cult function, while integrating 19th-century architectural elements, such as the campanile that now overcomes the facade.
Around 1930, medieval frescoes were discovered by chance during the scratching of the walls. They represent children and a bishop leaning on his lacrosse, offering a rare glimpse of the Romanesque interior decoration. These paintings, probably dated from the 12th century, underline the artistic and spiritual importance of the building at its origin. At the same time, the unique nave, divided into two vaulted spans of dogive crosses, illustrates a stylistic transition between Roman and Gothic.
The church was partially classified as a historical monument in 1989, with the specific protection of its two spans. Its rectangular flat bedside plan, typical of rural churches, and its later added north side chapel, reflect the successive adaptations of the building. The stained glass windows, installed between the late 19th and early 20th centuries, complement this composite heritage, mixing medieval heritage and modern additions.
Today, the Church of Our Lady remains a testimony of the religious and political upheavals that have passed through the Poitou, from the destruction of the Wars of Religion to the 19th century royal restorations. Its history also reflects the evolution of local cultural practices, where chaplaincy played a central role for centuries, before the building regained its first vocation.
Announcements
Please log in to post a review