Crédit photo : Claude villetaneuse - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
…
1600
1700
1800
1900
2000
XIe siècle
First entry
First entry XIe siècle (≈ 1150)
Church quoted as a place of pilgrimage.
XVIe siècle
Reconstruction and embellishment
Reconstruction and embellishment XVIe siècle (≈ 1650)
Francis I finance the monumental choir.
XVIIe siècle
Visit of Louis XIII
Visit of Louis XIII XVIIe siècle (≈ 1750)
Donation of a tableau of the Rosary.
6 août 2007
Historical Monument
Historical Monument 6 août 2007 (≈ 2007)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The Church (Box A 11): by order of 6 August 2007
Key figures
François Ier - King of France
Finance the beautification of the choir in the 16th century.
Louis XIII - King of France
Offer a painting of the Rosary.
Origin and history
The church of Notre-Dame du Hamel, located in Hamel in the Hauts-de-France, has its origins at least in the eleventh century, where it is mentioned as a place of pilgrimage. Although partially reconstructed in the 13th and 16th centuries, it preserves elements of its medieval nave, while its slender choir, vaulted with stone, and its collateral chapel in brick-burdened wood pan illustrate the major transformations of the 16th century, in a characteristic flamboyant style.
In the 16th century, the church received the attention of Francis I, who, after a pilgrimage on the spot, financed its beautification. The choir then has seven windows, some of which end in flower of lilies, royal symbol. The nave, on the other hand, receives a panelled frame decorated with carved entrances and punches, while glass windows from the 16th and 19th centuries enrich its decor. These adjustments reflect both the devotion of the sovereigns and the evolution of the artistic techniques of the time.
The church also welcomes Louis XIII in the 17th century, during his visit to Sarcus. The monarch offers a painting of the Rosary, now embedded in the altarpiece of the chapel, showing his attachment to the site. Classified as a Historical Monument in 2007, the church is distinguished by its abundant furniture and stained glass windows, but also by its continuing role in the spiritual and cultural life of the region. Its architecture, combining medieval and Renaissance heritage, makes it a remarkable example of Picardic religious heritage.
The current structure combines various materials: stone for the vaults of the choir, brick and wood for the collateral chapel, and a carved wooden frame. These technical choices, coupled with the presence of old stained glass windows and preserved furniture, underline the historic and artistic importance of the site. The building, owned by the commune, remains a symbol of the rich heritage of Hauts-de-France, between pilgrim tradition and architectural innovations.
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