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Church of Saint Andrew of the Graulges aux Graulges en Dordogne

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane
Dordogne

Church of Saint Andrew of the Graulges

    30-31 Le Piex
    24340 Mareuil en Périgord
Église Saint-André des Graulges
Église Saint-André des Graulges
Église Saint-André des Graulges
Église Saint-André des Graulges
Crédit photo : Jack ma - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1900
2000
XIIe siècle
Initial construction
XIIIe siècle
Continuation of work
18 février 1936
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Church: Order of 18 February 1936

Key figures

Information non disponible - No character cited Sources do not mention any historical actors.

Origin and history

The church of Saint-André des Graulges, located in Mareuil in Périgord, dates mainly from the 12th and 13th centuries. It is distinguished by a Romanesque nave ending with a flat bedside, while its choir, square in plan, is surmounted by a dome on pendants. The bell tower, added later, presents a modern summit, reflecting architectural changes after its initial construction.

The west facade of the church is decorated with a row of archatures, initially seven, now partially preserved. These archatures, surmounted by an archvolt in saw teeth, rest on columns with capitals carved from plant and animal motifs. The portal, redesigned over the centuries, and the modern top of the facade testify to the adaptations suffered by the monument. Classified as a Historical Monument by decree of 18 February 1936, the church now belongs to the commune.

The building illustrates the medieval religious architecture of the Périgord, where parish churches played a central role in community life. At that time, the area, marked by a rural economy and local exchanges, saw these places of worship serve both as spiritual spaces and as gathering points for the inhabitants. The carved decorations, like those of the capitals, reflect the influence of regional workshops and the symbolic importance attached to the representation of the living in sacred art.

External links