Construction of church XVe siècle (≈ 1550)
Main construction period and wall paintings.
23 février 1977
Classification and registration
Classification and registration 23 février 1977 (≈ 1977)
Paintings classified, church inscribed with historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Mural paintings (Case C 83): classification by decree of 23 February 1977; Church, except classified murals (Box C 83): inscription by order of 23 February 1977
Key figures
Information non disponible - No character mentioned
The source text does not mention any related historical actors.
Origin and history
The church Saint-Christophe de Fontenay-sous-Fouronnes is a religious monument located in the department of Yonne, Burgundy-Franche-Comté. Built between the 15th and 16th centuries, it is distinguished by its architecture and historical elements, including its murals, which bear witness to the art and devotion of this period.
The church murals dating from the 15th century were classified as historical monuments by order of 23 February 1977. The rest of the building, with the exception of these paintings, was entered the same year. These protections illustrate the heritage importance of this place, both for its architecture and for its interior decor.
The church belongs to the municipality of Fontenay-sous-Fouronnes, as evidenced by its record in the Mérimée base. Its address, 5 Rue de l'Église, and its code INSEE (89177) place it precisely in the territory of Yonne, near Auxerre. Although information on its accessibility or current uses is limited, its status as a historic monument makes it a key element of local heritage.
At the time of its construction, between the 15th and 16th centuries, parish churches like St.Christophe played a central role in the life of rural communities. They served not only as a place of worship, but also as a framework for social gatherings and collective decisions. In Burgundy, a region marked by strong agricultural and wine-growing activity, these buildings often reflected the local prosperity and artistic influences of the period, mixing late Gothic and early Renaissance styles.
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