Initial construction Moyen Âge (période romane) (≈ 1125)
Apse and Romanesque choir still visible.
XIIIe siècle
Wall paintings of the crypt
Wall paintings of the crypt XIIIe siècle (≈ 1350)
Works restored later.
XVIe siècle
Reconstruction of the nave
Reconstruction of the nave XVIe siècle (≈ 1650)
Adding downsides and Renaissance windows.
XVIIIe siècle
Baroque additions
Baroque additions XVIIIe siècle (≈ 1850)
Sacristy, high altar and stand added.
21 novembre 1925
Historical Monument
Historical Monument 21 novembre 1925 (≈ 1925)
Protection of bedside and crypt.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The bedside and the crypt: inscription by order of 21 November 1925
Key figures
Information non disponible - No character cited in the sources.
The available archives do not mention any historical actors related to this monument.
Origin and history
The Saint-Cyr church of Saint-Ciers-d'Abzac finds its origins in the Romanesque era, as evidenced by its circular apse inside and polygonal outside, as well as its vaulted choir in a full hanger cradle. These elements, the only remains of the primitive building, are decorated with double arches and wall paintings in the crypt, probably dating from the 13th century but having undergone restorations. Two Renaissance windows altered the exterior appearance, one of which sliced a foothold separating the choir from the abside.
In the 16th century, the nave and the coasts were rebuilt, marking a major transformation of the building. The 18th century saw the addition of Baroque elements: a sacristy, a high altar, and a stand supported by a stone arch. These additions reflect the evolution of liturgical and aesthetic needs, while partially preserving the medieval structure. The crypt, accessible by modern stairs in the nave, preserves its vaulted cradle and deep niches, testimonies of primitive religious architecture.
Classified as a Historical Monument in 1925 for its bedside and crypt, the church illustrates the stylistic superpositions typical of rural cultural buildings. His arched apse in cul-de-four and his murals, although restored, offer a rare example of Romanesque art in Gironde. The approximate location (notation 5/10) and the lack of details on its current use (visits, cults) underline its status as a local heritage unknown but protected.
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