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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
…
1800
1900
2000
1275
Foundation of the parish
Foundation of the parish 1275 (≈ 1275)
Creation of the parish of Cuvat
1821
Construction of the current church
Construction of the current church 1821 (≈ 1821)
Replacement of a dilapidated building
1854
Erection of the Byzantine bell tower
Erection of the Byzantine bell tower 1854 (≈ 1854)
Style modified for economic reasons
1975
Restoration and modification of the bell tower
Restoration and modification of the bell tower 1975 (≈ 1975)
Bulbe Savoyard becomes Byzantine
1980
Interior Decoration by Paul Fujino
Interior Decoration by Paul Fujino 1980 (≈ 1980)
Intervention by a Japanese artist
1983
Creation of stained glass windows and altars
Creation of stained glass windows and altars 1983 (≈ 1983)
Works by Irene Zack
2005
Renovation of the façade
Renovation of the façade 2005 (≈ 2005)
Clear crepi and rewarding lighting
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Paul Fujino - Japanese Artist
Interior decoration in 1980
Irène Zack - Glass and sculpture artist
Creation of stained glass and altar in 1983
Origin and history
The church of Saint-Donat de Cuvat, in Haute-Savoie, found its origins in the foundation of the parish in 1275, then attached to the diocese of Geneva. Several wooden, molasses and stubble churches have followed each other on the site, their fragility requiring reconstructions every 100 years. Little information remains about these early buildings, but their existence bears witness to an active religious life in the medieval village.
The present church, built in 1821, was built thanks to the mobilization of the inhabitants to replace a building that had become dangerous. Its bell tower, originally planned to be more imposing, was completed in 1854 in Byzantine style, although its height was reduced for economic reasons. This architectural choice reflects the stylistic influences of the era, mixing local traditions and external inspirations.
In the 20th century, the church underwent several notable restorations. In 1975 the Savoyard bulb of the bell tower was transformed into a Byzantine style, and in 1980 Japanese artist Paul Fujino spoke about interior decoration. The stained glass windows, redone in 1983 by Irene Zack, as well as the painted wooden altar she realized, added a contemporary artistic dimension. A statue of Saint Anthony, transferred from the church of Saint-Maurice de Ferrières, also enriched his furniture.
The latest changes date back to 2005, with the renovation of the facade and adjacent public square. A light crepi and enhanced lighting gave the building a bright appearance, harmoniously integrating into the village landscape. These works illustrate the inhabitants' attachment to their religious and architectural heritage.
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