Initial construction XIIe siècle (≈ 1250)
Original Romanesque building (portal and capitals preserved).
1843
Flood onset
Flood onset 1843 (≈ 1843)
The Estrigon regularly floods the church.
1853
Demolition and reconstruction
Demolition and reconstruction 1853 (≈ 1853)
Moving the church out of the flood zone.
1854
Pictures
Pictures 1854 (≈ 1854)
Wall paintings by Louis-Anselme Longa.
1946
Partial classification
Partial classification 1946 (≈ 1946)
Portal protection by Historic Monuments.
2004
Total registration
Total registration 2004 (≈ 2004)
The church fully listed as a historical monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The portal: by decree of 5 January 1946 - Unclassified part, in full (Case AB 76): registration by order of 2 April 2004
Key figures
Louis-Anselme Longa - Montois painter
Author of the wall paintings (1854).
Origin and history
The church of Saint-Étienne, located in the commune of Uchacq-et-Parentis (Landes, New Aquitaine), is a building whose history extends from the twelfth to the middle of the nineteenth century. Originally, it was a Romanesque church, whose portal and capitals of the choir remain today, witnesses of this medieval period. These architectural elements, such as arches in the middle of the wall decorated with interlaces or billets, as well as sculptures depicting biblical scenes (the dance of Herodiad, Daniel between lions), attest to his seniority and religious importance.
In 1853, the church was demolished and rebuilt away from the Estrigon, a stream whose repeated floods since 1843 threatened its stability. This reconstruction incorporates classical-style murals, made in 1854 by Montois painter Louis-Anselme Longa. These decorations, as well as the preservation of novel elements in the new structure, illustrate the transition between two artistic epochs. The building was partially listed as a historic monument in 1946 (for its portal) and was fully listed in 2004, highlighting its heritage value.
The tympanum of the portal, dating from the 12th century, bears the monogram of Christ framed by the letters alpha and omega, accompanied by the symbols of the four Evangelists. This iconographic detail, combined with carved capitals, reinforces the sacred and didactic character of the church. Today, the building belongs to the municipality and remains an architectural testimony to the stylistic evolutions and functional adaptations suffered by the Irish religious buildings over the centuries.
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