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Église Saint-Étienne de Lubersac en Corrèze

Patrimoine classé
Patrimoine religieux
Eglise
Eglise romane
Corrèze

Église Saint-Étienne de Lubersac

    Le Bourg
    19210 Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Église Saint-Étienne de Lubersac
Crédit photo : MOSSOT - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
900
1000
1100
1200
1300
1400
1500
1900
2000
vers 950
Construction of the first church
XIIe siècle
Reconstruction and change of word
XIVe siècle
Expansion of the nave
1910
Historical monument classification
1999-2001
Restoration and discovery
Aujourd'hui
Aujourd'hui

Heritage classified

Saint-Etienne Church: by decree of 22 January 1910

Key figures

Émile Signol - Painter Author of a painting (1836) in the church.
Puccini - Painter (19th century) Author of four paintings (1841) in the choir.
Bernard de Lubersac - Local Represented by a 16th century gissant.
François Gaudeix-Laborderie - Historician (18th century) Author of a notice on the church (1888).
Ludovic de Valon - Historician (18th century) Author of a monograph (1891).
Évelyne Proust - Archaeologist (XXI century) Author of a study (2005) on the monument.

Origin and history

The church of Saint-Étienne de Lubersac, located in the Corrèze department in New Aquitaine, finds its origins around 950, when a first church dedicated to Saint Gervais and Saint Protais was built on the site of an ancient temple. In the 12th century, it became a prioral church under the name of St Stephen, but was looted before being rebuilt at the beginning of the 13th century. The 14th century saw the enlargement of its nave of two spans, while the vaults of the transept were redone, marking the main architectural evolutions of the building.

Ranked a historical monument in 1910, the church is distinguished by its Romanesque architecture and exceptional carved decoration. Outside, three capitals of the bedside illustrate the life of St Stephen (lapidation, discovery of the body, translation of relics). Inside, a series of 12th century capitals traces the evangelical cycle, including scenes such as the Annunciation, the Nativity or the Crucifixion. The oldest capital, dating back to the 11th century, represents a bear hunt, reflecting the iconographic diversity of the site.

The restorations carried out between 1999 and 2001 revealed a multisacular painted decoration, preserving traces of each era. In the transept, vaults carry paintings from the 14th, 15th and 19th centuries, while a 13th-century fresco, representing St.Leonard releasing a prisoner, is the oldest identified decoration. The choir houses four paintings from 1841 signed Puccini, and the church also preserves a 16th century gissant and a painting by Émile Signol (1836), illustrating its varied artistic heritage.

The building also houses a limousine Romanesque portal decorated with Mozarabic feasts, a rare feature in the region. Historical sources, such as the bulletins of the Archaeological Society of the Corrèze (XIXth century) or the works of Evelyne Proust (2005), highlight its heritage importance. Today a communal property, the church remains a place of memory where sacred art, medieval history and contemporary restorations blend together.

External links