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Saint Stephen's Church en Savoie

Savoie

Saint Stephen's Church


    Dingy-Saint-Clair

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Révolution/Empire
XIXe siècle
Époque contemporaine
500
600
…
1300
1400
1800
1500
1900
2000
…
Ve siècle
Presumed Foundation
1384
Testament of the Lord of Menthon
1480
Reconstruction of the Gothic choir
1833-1837
Major reconstruction
1880
Sale of stained glass
2017
Last renovation
Aujourd'hui
Aujourd'hui

Key figures

Catherine de Cordon - Patron Founded the Gothic choir in 1480.
Louis Ruphy - Architect The church was rebuilt in the 19th century.
Jean II de Menthon - Local Lord Family linked to the church since 1384.
Jacques Bony - Glass painter Restore the stained glass windows in 1951.
André Jacques - Curator of Antiquities Negotiated the return of the stained glass windows.

Origin and history

The Saint-Étienne church of Dingy-Saint-Clair, located in Haute-Savoie, finds its origins in the fifth century, as evidenced by the graves discovered nearby. Dedicated to St Stephen, it once housed a relic of the saint: a silver foot containing a reliquary with his arm. The first written statements came from the will of the Lord of Menthon in 1384, confirming a centuries-old family sepulchral tradition.

In the 15th century, the church underwent major changes. In 1411 the bishop of Geneva ordered the repair of the porch, and in 1470 a total reconstruction was imposed. In 1480 Catherine de Cordon, wife of John II of Menthon, financed a Gothic choir still visible today. The stained glass windows, offered by Menthon's family, illustrate the German-Swiss and Camberian influence, with scenes such as The Trinity or Calvary, restored in the 20th century after they were sold at the Annecy Museum in 1880.

The French Revolution seriously damaged the building: seven bells were requisitioned, but one was saved. In 1833, the city council voted for its reconstruction, entrusted to the architect Louis Ruphy. The latter preserves the medieval choir and raises the roof, while inspired by the Basilica of Superga in Turin for the facade. Critics point to an interior deemed "no style", contrasting with the richness of liturgical furniture, such as the major altar of 1867 or the baptismal fonts decorated with bas-reliefs.

The stained glass windows, restored in 1951 by Jacques Bony, combine ancient elements and modern creations. They represent local saints (Clair, Sébastien) and Savoyard figures (Maurice, Francis de Sales). The altar of St Sebastian, linked to a medieval brotherhood fighting against the plague, and that of the Rosary, dedicated to women, bear witness to the religious and social life of the valley of the Fier. The last renovation dates from 2017, preserving this Gothic, Renaissance and 19th century heritage.

External links

Nearby establishments