First written entry vers l’an mil (≈ 50)
Cited as *ecclesia in villa Bisiaco*
3e quart du XIe siècle
Main construction
Main construction 3e quart du XIe siècle (≈ 1162)
Romanesque period attested
1536
Bell font
Bell font 1536 (≈ 1536)
Older diocese of Autun
XVe siècle
Add seigneurial chapel
Add seigneurial chapel XVe siècle (≈ 1550)
South Gothic expansion
13 mars 1950
Registration MH
Registration MH 13 mars 1950 (≈ 1950)
Official protection of the building
1975
Theft of statuettes
Theft of statuettes 1975 (≈ 1975)
Disappearance of works from the altarpiece
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 13 March 1950
Key figures
Bernard Delaval - Restaurant restaurant (1998)
Gold of the 18th-century altarpiece
Saint Eusèbe - Church Patron
Initial dedication of the place
Origin and history
The church of Saint-Eusèbe de Saint-Huruge, located in the department of Saône-et-Loire in Burgundy-Franche-Comté, is mentioned as early as the year thousand under the name ecclesia in comitatu Matisconensi in villa Bisiaco. Its initial construction, probably as early as the 9th century, is attested by the technique of the dopus spicatum visible in the north and south walls, characteristic of early buildings. The present building, rebuilt in the 11th and 15th centuries, also preserves a 15th century seigneurial chapel and a northern chapel added in 1872.
The bell tower houses one of the oldest bells in the diocese of Autun, melted in 1536, testifying to the historic importance of the site. Inside, an 18th-century golden wooden altarpiece (classified as Historic Monument in 1979) adorns the choir, although its original statuettes were stolen in 1975. Two 17th century paintings, a Nativity and a Virgin with Child, complete this remarkable furniture heritage.
The church, registered with the Historical Monuments since 13 March 1950, remains an active Catholic place of worship, attached to the parish of Saint-Louis-entre-Grosne-et-Guye. Its official protection underscores its architectural and historical value, mixing Romanesque, Gothic and modern influences. The various materials of its construction, such as the presence of the spicatum, make it a rare example of continuity built over more than a millennium.
The liturgical furniture, including the altarpiece restored in 1998 by Bernard Delaval, illustrates the evolution of local religious and artistic practices. The flights suffered in the 20th century recall the challenges of preserving rural heritage. Today, the church of Saint-Huruge is part of the cultural landscape of the Country of Art and History between Cluny and Tournus, an area marked by its medieval and ecclesiastical heritage.
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