Crédit photo : jean-pierre Hamon - Sous licence Creative Commons
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Timeline
Antiquité
Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
0
100
…
1900
2000
2100
8-10 juillet 1960
Consecration and inauguration
Consecration and inauguration 8-10 juillet 1960 (≈ 9)
Holy altar, church open to the public.
1944
Destruction of the Church
Destruction of the Church 1944 (≈ 1944)
Annihilated during Operation Totalize in summer.
28 juin 1955
Laying the first stone
Laying the first stone 28 juin 1955 (≈ 1955)
Official beginning of modern reconstruction.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
3e quart XXe siècle
Construction period
Construction period 3e quart XXe siècle (≈ 2062)
1954 (project) to 1960 (completion).
Heritage classified
The whole church, including the sacristy (Box AB 26): inscription by decree of 16 August 2010
Key figures
Pierre Bienvenu - Architect
Designer of the modern church and other Norman buildings.
Origin and history
The Saint-Firmin Church of May-sur-Orne is a 20th-century religious building protected by historical monuments. His history was marked by total destruction during Operation Totalize in 1944, during the Second World War. The first place of worship on this site probably dates back to the 6th and 7th centuries, while a 19th century church, built in 1885, was destroyed by fighting.
Reconstruction was first considered a simple restoration of the 19th century building, but the project evolved towards a modern creation. In 1954, architect Pierre Bienvenu, already author of other churches of the Reconstruction in Normandy, proposed a bold design. The first stone was laid on 28 June 1955, and the church was inaugurated five years later, on 10 July 1960, after the consecration of its altar on 8 July.
The architecture of the church is distinguished by a reinforced concrete frame, with four interlocking portals supporting a 42-metre central bell tower. The exterior walls, covered with limestone rubble, integrate into the local landscape while symbolizing the post-war renaissance. This blend of modernity and traditional materials reflects the spirit of Reconstruction in Normandy, where functionality and memory combine.
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