Construction of the tower XIe–XIIe siècle (≈ 1250)
Romanesque square tower, base of the current bell tower.
XVe–XVIe siècle
Reconstruction nave and bedside
Reconstruction nave and bedside XVe–XVIe siècle (≈ 1650)
Gothic style without transept adopted.
1672
Painting *Children's Life*
Painting *Children's Life* 1672 (≈ 1672)
Work by Demange Prot Dominique.
1865
Buffet organ
Buffet organ 1865 (≈ 1865)
Directed by Jean-Frédéric Verchneider.
1895
Make bells
Make bells 1895 (≈ 1895)
Three blessed bells in Nancy.
20 juillet 1990
Historical Monument
Historical Monument 20 juillet 1990 (≈ 1990)
Official registration of the building.
2016
Restoration of the bell tower
Restoration of the bell tower 2016 (≈ 2016)
Carbon fibre belts laid.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Saint George's Church (Cad. AB 2): registration by decree of 20 July 1990
Key figures
Demange Prot Dominique - Painter
Author of "The Virgin to the Child" (1672).
Jean-Frédéric Verchneider - Organ factor
Creator of the buffet in 1865.
Origin and history
The Saint-Georges church of Essey-lès-Nancy, located on the southwest side of the Sainte-Geneviève hill, is an emblematic religious building in Lorraine. Its square tower, 17 meters high and surmounted by an arrow in slate, dates from the 11th–12th centuries, while the nave and bedside, of Gothic style without transept, were rebuilt in the 15th and 16th centuries. Four groves pierce the tower, which houses three melted bells in Nancy in 1895: Louise-Madeleine, Marie-Joséphine and Marie-Eugénie.
Inside, the church preserves an 18th century marble altar and a 1672 painting by Demange Prot Dominique, representing the Virgin with the Child surrounded by saints and coat of arms. His organ, whose buffet was made by Jean-Frédéric Verchneider in 1865, is also classified. The building, registered with the Historical Monuments in 1990, underwent major work in the 21st century: consolidation of the lizard tower in 2016 (with carbon fibre belts) and restoration of closed bays since the 15th century.
Although little used for regular services, the church serves as a memorial for the armistices of the two world wars. Its bell tower, symbol of local heritage, illustrates the challenges of preserving rural historic monuments. The bells, deposited in 2016 for restoration, were reinstalled the same year, marking a key step in saving this site full of history.
The presbytery, formerly backed by the tower, was demolished in the early 2000s, causing structural disorders requiring summers in 2006. These hazards reveal the vulnerability of older buildings to urban change. Today, Saint George's Church remains an architectural testimony of medieval stylistic transitions and an identity landmark for Essey-les-Nancy.
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