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Saint George's Church of Birac-sur-Trec dans le Lot-et-Garonne

Lot-et-Garonne

Saint George's Church of Birac-sur-Trec

    2 Chemin des Roches Blanches
    47200 Birac-sur-Trec

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
XIIIe siècle
First entry
1521–1568
Chapel Saint John
1603
Sacristy added
Fin XVe – début XVIe siècle
Post-war reconstruction
1854–1867
Vault redone
1876–1881
Catering and stained glass
1868–1891
Bell built
Aujourd'hui
Aujourd'hui

Key figures

Jean de Valier - Vicar General of Agen Sponsor of the chapel Saint John
Prêtre Cordis (ou Sordis) - Local priest Founded the chapel Notre-Dame-de-Pitié
Gustave Alaux - Architect Designed the vault (1854–67)
Vital Parreau - Owner Directed the construction of the bell tower
Joseph Villiet - Master glass Realized three glass windows (1875)
Félix Gaudin - Master glass Created nine stained glass windows (1881)

Origin and history

The church of Saint Georges of Birac-sur-Trec, mentioned from the 13th century in a cartular of Agen, suffered major damage during the Hundred Years War. The oldest parts of the current building (large and south side) date from the late 15th or early 16th century, reflecting post-conflict reconstruction. The lateral chapels, dedicated to Saint John, Notre-Dame-de-Pitié and Saint Catherine, were added in the 16th century by local dignitaries such as Jean de Valier, vicar general of Agen, and priest Cordis.

In the 17th century, the church was restored: the nave was lambrissed, and a sacristy backed by the abside around 1603. The major transformations took place in the 19th century, with the vault designed by Gustave Alaux (1854–67), the construction of the bell tower by Vital Parreau (1868–91), and the restoration of the chapels under the direction of architect Chaudruc from 1876. This period also saw the installation of stained glass windows signed by Joseph Villiet, Louis-Victor Gesta and Felix Gaudin between 1870 and 1881.

The stained glass windows, an important part of the church's heritage, illustrate religious scenes such as the life of Saint George (Villiet, 1875) or the communion of the Virgin (Gesta, 1870). Five scenes from the New Testament and the four evangelists, works by Felix Gaudin (1881), complete this artistic ensemble. These additions reflect the growing importance of ornamentation in rural churches in the 19th century, mixing local devotion and national artistic influences.

External links