Initial construction XIIe siècle (≈ 1250)
Romanesque origins, north wall and column.
XIVe siècle
Gothic enlargement
Gothic enlargement XIVe siècle (≈ 1450)
Pillar and double reinforcements.
1789
End of Abbatial Dependence
End of Abbatial Dependence 1789 (≈ 1789)
Link to the abbot of Aurillac finished.
1877
Creation of stained glass windows
Creation of stained glass windows 1877 (≈ 1877)
Work by Martial Mailhot.
15 septembre 1993
Historical Monument
Historical Monument 15 septembre 1993 (≈ 1993)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church, including the vantals of its portal (Box AI 320): registration by decree of 15 September 1993
Key figures
Martial Mailhot - Glass painter
Author of stained glass (1877).
Abbé d'Aurillac - Ecclesiastical Owner
Directed the church until 1789.
Origin and history
The church of Saint-Géraud d'Auzat-la-Combelle, located in Puy-de-Dôme, is a historical monument dating back to the 12th century. Independent until 1789 of the Abbé d'Aurillac, she was accompanied by an adjacent prioress. Its architecture combines Romanesque elements, such as a north wall dating from the late 11th or early 12th century, with Gothic additions, including pillars strengthening the nave. A committed column adorned with a Corinthian capital on the southeast side also bears witness to this medieval period.
The porch, originally designed with two spans, was partially transformed to accommodate the chapel of the baptismal fonts. The bell tower, typical of the region, is distinguished by its two levels separated by a bandeau, and its bays twinned in broken arch. A round staircase turret, going beyond the nave, completes this architectural ensemble. The stained glass windows, made in 1877 by the painter Martial Mailhot, represent saints such as Jean-Baptiste, Saturnin, Alexis and Agathe, adding an artistic touch of the 19th century.
Classified as a Historic Monument in 1993, the church, including its portal vantals, is now owned by the municipality. Its oriented plan, with a polygonal bedside choir, reflects the architectural evolutions between the Romanesque and Gothic periods. The location, although documented, remains approximate, with an accuracy estimated at 6/10 depending on available sources.
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