Destruction by Protestants 13-14 mai 1562 (≈ 14)
Only the facade is spared.
1171
Church Consecration
Church Consecration 1171 (≈ 1171)
Attached to the diocese of Périgueux.
1710
Partial reconstruction
Partial reconstruction 1710 (≈ 1710)
After a century of abandonment.
1860
Construction of the bell tower
Construction of the bell tower 1860 (≈ 1860)
Post façade addition.
1862
Portal classification
Portal classification 1862 (≈ 1862)
First official protection.
1965-1994
Restoration campaigns
Restoration campaigns 1965-1994 (≈ 1980)
Facade, inside and around.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Portal: ranking by list of 1862
Key figures
Information non disponible - No character named in the sources
The texts do not cite any specific actors.
Origin and history
The church of Saint James of Aubeterre-sur-Dronne, built in the 12th century, was originally a collegiate church attached to the diocese of Périgueux. It served as a major stage for pilgrims travelling to Santiago de Compostela, alongside the nearby Saint John monolithic church. Its monumental facade, typical of the Romanesque style Saintonge and Poitevin, is decorated with symbolic sculptures (zodiac, fieldwork) and capitals representing mythical creatures or scallop shells.
The building was almost entirely destroyed in 1562 by Protestant extremists, who saved only its facade. Partially rebuilt in 1710, the church was equipped with a bell tower in 1860. Its portal, classified in 1862, bears witness to its historical importance. Several restoration campaigns (1965 to 1994) preserved its modern stained glass windows, statues (Vierge à l'Enfant, Saint James) and liturgical elements classified as 14th century candlesticks.
The facade, 18.40 metres wide, is divided into three horizontal registers, rhythmized by arcades and colonnades. The polylobed portal, inspired by Hispano-Mauresque motifs, is framed by astrological friezes and rural scenes. The upper floor, today truncated, once housed an equestrian statue (perhaps Constantine or Charlemagne), while the capitals mix religious and medieval bestiary symbols. Inside, sober, includes three vessels covered with an apparent frame.
The church illustrates the artistic exchanges between Saintonge, Poitou and Angoumois, while reflecting the tumults of the Wars of Religion. Its early classification and recent restorations underline its status as a heritage emblem, anchored in the landscape of Aubeterre-sur-Dronne and in the history of pilgrimage paths.
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