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Church of Santiago de Cavirac à Belvianes-et-Cavirac dans l'Aude

Patrimoine classé
Patrimoine religieux
Eglise
Aude

Church of Santiago de Cavirac

    Route de Cavirac
    11500 Belvianes-et-Cavirac
Église Saint-Jacques de Cavirac
Église Saint-Jacques de Cavirac
Crédit photo : Lucas Destrem - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
900
1000
1300
1400
1500
1600
1700
1800
1900
2000
873
Foundation of the monastery of Saint-Jacques de Joucou
994
First written mention of the church
1318
Linking income
XVIe siècle
Time Lordship
1948
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Church of Cavirac: registration by decree of 27 April 1948

Key figures

Archevêque de Narbonne - Time Lord in the 16th Century Owner of seigneurial rights over the church.

Origin and history

The Church of Santiago de Cavirac, located in Belvianes-et-Cavirac in the Aude, is a religious building whose origins date back to at least the 11th century, with subsequent changes in the 19th century. It was initially an outbuilding of the Benedictine monastery of Saint-Jacques de Joucou, founded in 873, and a monastic house attached to it, attested in texts of 994, 1085 and 1639. Its architecture, marked by a unique nave and a semicircular apse arched in cul-de-four, has lumbar Romanesque features, such as a band of external arches and an openwork bell.

In 1318 the church's revenues were attached to the collegiate church of Saint Paul de Fenouillet, while in the 16th century the archbishop of Narbonne became its temporal lord. The building, inscribed in the historic monuments in 1948, preserves original elements such as the absence of a vault on the nave and a siding towards the choir, although some modifications (oculus, windows, bellet) have been made over the centuries. Its simple design and sober decor reflect a modest but emblematic construction of southern Romanesque art.

Adorned with thirteen Lombard arches resting on pyramidal consoles, the southern door in the middle of a two-roller hanger illustrates the stylistic influence of this period. The windows, reworked, and the two-bay bell, partially modified, show later adaptations. A communal property since its inscription, the church remains a vestige of the religious and architectural heritage of Aude, linked to regional monastic history and medieval and modern transformations.

External links