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Église Saint-Jacques de l'Houmeau à Angoulême en Charente

Patrimoine classé
Patrimoine religieux
Eglise de style classique
Charente

Église Saint-Jacques de l'Houmeau

    Rue André Lamaud
    16000 Angoulême
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Église Saint-Jacques de lHoumeau
Crédit photo : Jack ma - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1800
1900
2000
1110
Construction of medieval church
1840-1843
Reconstruction by Paul Abadie
1944
Allied bombardments
1960-1963
Post-war restoration
2001
Registration for Historic Monuments
2024
Restoration of the organ
Aujourd'hui
Aujourd'hui

Heritage classified

Church in total (Box AT 458): registration by decree of 19 September 2001

Key figures

Paul Abadie (père) - Architect Designer of the neo-classical church in 1840.
Aristide Cavaillé-Coll - Organ factor Enlarged the organ in 1892.
Schwaerdt - Organization Organ builder in 1787.
Jacques le Majeur - Holy patron Dedication of the church, linked to Compostela.

Origin and history

The church of Saint James of the Houmeau, located in the suburbs of Angoulême, is dedicated to Jacques the Major, an apostle associated with the Reconquista and the pilgrimage of Santiago de Compostela. In the Middle Ages, this neighborhood was a major step on a variant of the path of Compostela, especially in the 12th and 13th centuries. The old church, built in 1110 and attached to the abbey of Saint-Cybard, was replaced in 1840 by the current building, designed by the architect Paul Abadie, due to its state of disrepair.

The reconstruction of 1840 preserved the Latin cross and semicircular abside plan of the medieval church, while adopting a neo-classical style marked by foothills, bases and a porch inspired by Greek temples. The interior, originally entirely painted, lost its decorations during the Allied bombings of 1944, which severely damaged the building. A restoration campaign took place between 1960 and 1963. The church houses a historic organ, built in 1787 by Schwaerdt, installed in 1803, then restored by Aristide Cavaillé-Coll in 1892 and spared by the bombings.

The organ, one of the few instruments of the time still in place, was restored and re-opened in December 2024. In 2020, the bishop of Angoulême entrusted the church to the community of the Oratory of Saint Philip Néri, which is expected to settle there permanently in 2027. The building, inscribed in the Historical Monuments in 2001, remains a symbol of the religious and architectural heritage of the Charente, mixing medieval heritage and neo-classical influences.

The architecture of the church is distinguished by its rectangular bell tower with three floors, its dome enhanced with an oculus, and its porch supported by four ionic columns. The materials used include limestone cut stone, hollow roof tiles, and zinc for the dome and bell tower. Two sacristies flank the arms of the transept, while the abside, covered with a cul-de-four, has an open top. The triangular fronton of the porch, decorated with modillons and roses, reflects the ancient inspiration dear to Paul Abadie.

The Church of St. James of the Houmeau occupies a central place in its neighborhood, testifying to the Jacquarian history of Angoulême and its urban evolution. Its reconstruction in the 19th century is part of a neo-classical architectural renewal movement, while its successive restorations illustrate efforts to preserve a heritage marked by the conflicts of the 20th century. Today, it remains an active place of worship and a remarkable example of stylistic adaptation between medieval tradition and modernity.

External links