Construction of the Romanesque portal XIIe siècle (≈ 1250)
South portal of Romanesque origin still visible.
XIVe-XVe siècles
Gothic additions
Gothic additions XIVe-XVe siècles (≈ 1550)
Nef and choir rebuilt in Gothic style.
1570-1596
Postwar reconstruction
Postwar reconstruction 1570-1596 (≈ 1583)
South chapel built after destruction.
XIXe siècle
Delort renovation
Delort renovation XIXe siècle (≈ 1865)
New Romanesque facade and bell tower added.
1970
Restoration of paintings
Restoration of paintings 1970 (≈ 1970)
Chapelle Sainte-Madeleine restored.
1995
Historical Monument
Historical Monument 1995 (≈ 1995)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box B 171): Order of 20 October 1995
Key figures
Auguste Delort - Architect
Designed facade and bell tower in the nineteenth.
Origin and history
The church of Saint-Jean-Baptiste de Belberaud, located in the village of the same name in Haute-Garonne (Occitanie), is a building whose origins date back to the 12th century, as evidenced by its southern Romanesque portal. The Gothic parts, including the nave and choir, were added in the 14th and 15th centuries. This monument, deeply marked by history, suffered destruction during the Wars of Religion before being rebuilt between 1570 and 1596, when the southern chapel was erected.
In the 19th century, architect Auguste Delort intervened to modernize the building, adding a western facade and a neo-Roman brick bell tower, typical of architectural eclecticism of the time. The murals of the North Chapel, dedicated to Sainte-Madeleine, were restored in 1970, revealing a preserved artistic heritage. Classified as a Historical Monument in 1995, the church now belongs to the municipality and illustrates medieval and modern stylistic superpositions.
The monument embodies the religious and political upheavals of the region, from conflicts between Catholics and Protestants to post-conflict reconstructions. Its hybrid architecture — combining Roman, Gothic and neo-Roman — also reflects the evolution of techniques and tastes, while murals offer a rare testimony of local devotion throughout the centuries. The accuracy of its location (noted 6/10) suggests a historical settlement anchored in the rural fabric of the Haute-Garonne.
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