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Saint John Baptist Church of Mailly-le-Petit à Mailly-le-Camp dans l'Aube

Patrimoine classé
Patrimoine religieux
Eglise gothique
Aube

Saint John Baptist Church of Mailly-le-Petit

    1-3 Rue Saint-Jean
    10230 Mailly-le-Camp
Église Saint-Jean-Baptiste de Mailly-le-Petit
Église Saint-Jean-Baptiste de Mailly-le-Petit
Crédit photo : Sminiou - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1900
2000
XIIe-XVe siècles
Construction period
1919
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Church of Mailly-le-Petit or Petit-Mailly: by order of 5 August 1919

Origin and history

The church Saint-Jean-Baptiste de Mailly-le-Petit is a religious building located in the commune of Mailly-le-Camp, in the Aube department, in the Grand Est region. Built between the 12th and 15th centuries, it embodies centuries of medieval and post-medieval religious architecture. Its classification as historic monuments in 1919 reflects its heritage value and its importance to the local heritage.

The church, also known as the church of Mailly-le-Petit or the Petit-Mailly, is owned by the municipality. It is located at 3 Rue Saint-Jean, an address that reflects its anchoring in the urban fabric of Mailly-le-Camp. Although the available sources do not specify its current use (visits, rentals, worship), its status as a historical monument makes it a place of interest for those passionate about architecture and religious history.

In medieval times, churches like Mailly-le-Petit played a central role in the lives of rural communities. They served not only as a place of worship, but also as a gathering point for social and civic events. In the Champagne region, marked by strong agricultural and commercial activity, these buildings were often symbols of stability and continuity for the inhabitants.

The periods of construction of the church from the 12th to the 15th century correspond to major phases of architectural development in Europe. The twelfth century saw the culmination of Romanesque art, while the thirteenth and fifteenth centuries were marked by the emergence and affirmation of Gothic style. These stylistic influences could be found in the structural and decorative elements of the building.

The classification of the church in 1919 is part of a period of heritage awareness in France, where many religious monuments are protected to preserve their architectural and historical heritage. This status now ensures the preservation of the building and its transmission to future generations.

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