First church attested vers 1178 (≈ 1178)
Early church linked to the Abbey of Saint-Maurice.
XIIIe siècle
Construction of the current choir
Construction of the current choir XIIIe siècle (≈ 1350)
Vaults and double arches preserved.
1644
Construction of the portal
Construction of the portal 1644 (≈ 1644)
Baroque style characteristic of the period.
1648
Achievement of the Chair
Achievement of the Chair 1648 (≈ 1648)
Work by sculptor Antoine Piccard.
1811
Destruction of the bell tower
Destruction of the bell tower 1811 (≈ 1811)
Reconstructed in 1815 after its fall.
1815
Reconstruction of the bell tower
Reconstruction of the bell tower 1815 (≈ 1815)
New bell tower erected after destruction.
1822
Enlargement of the nave
Enlargement of the nave 1822 (≈ 1822)
Expansion of 5 meters for the community.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Antoine Piccard - Sculptor
Author of the pulpit in 1648.
Origin and history
The church of St. John the Baptist of Massogy found its origins around 1178, when a primitive church was attested, then dependent on the abbey of Saint-Maurice of Agaune. This first building, Romanesque architecture, showed the abbey's religious and political influence on the region. The links with the Counts of Geneva, suggested by the arch key decorated with their coat of arms in the current choir, underline its local historical importance.
At the beginning of the 19th century, the church underwent major changes: its bell tower, destroyed in 1811, was rebuilt in 1815, while the nave was enlarged by 5 meters in 1822. These changes reflect the needs of a growing community and the architectural changes of the time. The portal, dating from 1644, and the pulpit of 1648 (work by sculptor Antoine Piccard) illustrate the artistic richness of the Baroque period in Savoie.
The choir, probably dating back to the thirteenth century, preserves remarkable medieval elements, such as its imposing vaults and its chamfreined double arches. These features, combined with the later additions, make the church a representative example of the architectural and religious evolution in Chablais, between medieval heritage and modern adaptations.
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