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Saint Joseph of Pontivy Church dans le Morbihan

Patrimoine classé
Patrimoine religieux
Eglise néo-gothique
Morbihan

Saint Joseph of Pontivy Church

    Rue Nationale
    56300 Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Église Saint-Joseph de Pontivy
Crédit photo : Llann Wé² - Sous licence Creative Commons

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1900
2000
1858
Visit of Napoleon III
1863-1867
Construction of church
5 décembre 1985
Partial classification
Aujourd'hui
Aujourd'hui

Heritage classified

Facades and roofs (Case BD 96): inscription by decree of 5 December 1985

Key figures

Napoléon III - Emperor of the French Indirect sponsor via imperial subsidies.
Marcellin Varcollier - Architect Church designer, protected from Bacciochi.
Princesse Bacciochi - Aunt of Napoleon III Recommended Varcollier for the project.
Viollet-le-Duc - Inspector General Member of the Advisory Committee.

Origin and history

Saint Joseph's church in Pontivy, located on Rue Nationale in the north of Morbihan, was erected between 1863 and 1867 thanks to imperial funding. This project was born after Napoleon III's visit to Pontivy (then named Napoleonville) in 1858, wishing to honour the memory of his great uncle with a monumental achievement. The city, renamed in homage to the emperor, became the scene of an ambitious but controversial construction.

The design of the building was entrusted to Marcellin Varcollier, a young Parisian architect protected by Princess Bacciochi, aunt of Napoleon III residing near Colpo. Subject to the conflicting opinions of the Committee of Inspectors General (including Labrouste, Viollet-le-Duc and Vaudoyer) and to budgetary constraints, the project began in 1863. The imperial grant was exhausted in 1867, leaving the church unfinished, without its planned stone arrow. The neo-Gothic style adopted is inspired by the 13th century models of Île-de-France, while integrating local materials such as Pontivy granite.

The building, isolated in the centre of a square, symbolizes an imperial urbanist desire to permanently mark the city. Its facades and roofs, protected since 1985 as historical monuments, bear witness to late religious architecture, mixing local tradition and Parisian influences. The church, a communal property, remains a rare example of an untaboti imperial project, reflecting tensions between national ambitions and local realities.

The bell tower, characteristic of the building, uses a large grain granite in large apparatus, embellished with monolithic columns from the local batholite. Despite its unfinished state, the interior offers a remarkable spatial treatment for the time. The church, exceptionally open to worship, retains a special place in the Morbihan heritage, between Napoleonic heritage and Breton identity.

External links