Sculpture of the eardrum vers 1145 (≈ 1145)
Christ in majesty and angels
1860
Municipal merger
Municipal merger 1860 (≈ 1860)
Saint-Julien-de-Cray and Jonzy
1861-1865
Neo-Gothic reconstruction
Neo-Gothic reconstruction 1861-1865 (≈ 1863)
Conservation bell tower and gate
22 janvier 1910
MH classification
MH classification 22 janvier 1910 (≈ 1910)
Gate and bell tower protected
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The gate and the bell tower: ranking by decree of 22 January 1910
Key figures
Julien de Brioude - Holy patron
Represented on a stained glass window
M. Berthier - Architect
Reconstruction of 1865
Kingsley Porter - Art historian
Tympanal analysis (1145)
Origin and history
The Saint-Julien-de-Brioude church of Saint-Julien-de-Jonzy, located in Saône-et-Loire, is a parish building built during the second half of the 12th century, under the influence of Cluny Abbey. It was mentioned in 1106 in a charter of Cluny, then attached to the diocese of Mâcon and to the archipriré of Beaujeu. Its original name, "Saint-Julien-de-Cray", reflects its membership in a separate parish of Jonzy before their merger in 1860. The patron saint, Julien de Brioude, appears on a stained glass window of the choir.
The monument retains two major Romanesque elements: its quadrangular bell tower with geminied bays and its carved portal, classified as a historical monument in 1910. The tympanum, dated around 1145, represents Christ in majesty surrounded by angels, while the lintel illustrates the Supper (damaged during the Revolution). These sculptures, considered "among the most remarkable of Burgundy" by experts like Kingsley Porter, bear witness to a refined Romanesque art, close to Clunisian workshops. The rest of the church, rebuilt in 1865 by architect Berthier, adopts a neo-Gothic style.
The interior, completely redesigned in the 19th century, includes a five-span nave, a transept and a semicircular apse. The pulpit to be preached, decorated with carved panels representing the four evangelists, and the woodwork of the choir dates from this period. The site, overlooking the hills of Brionnais, offers a panorama up to the viaduct of Mussy-sous-Dun. The church, always parish, symbolizes the clunisian heritage in this rural area marked by agriculture and pilgrimage paths.
Under the Old Regime, the parish depended on the bailiwick of Semur-en-Brionnais, an area under both ecclesiastical (Cluny) and seigneurial influence. The 1860 merger with Jonzy reflected the administrative reforms of the Second Empire, while the 1861-1865 amendments were part of a national church restoration movement, often financed by the municipalities. Today, the building remains a testimony of Burgundy Romanesque art and local history, between religious heritage and collective memory.
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