Church dedication vers 1263 (≈ 1263)
Consecration under Pontius III, Bishop of Saints.
1634
Construction of the seigneurial house
Construction of the seigneurial house 1634 (≈ 1634)
Edited by the lords of Pellouaille.
1923
Historical monument classification
Historical monument classification 1923 (≈ 1923)
Official protection of the building.
XXe siècle
Partial destruction
Partial destruction XXe siècle (≈ 2007)
Major architectural losses.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Ranked MH
Key figures
Ponce III - Bishop of Saints
Chaired the dedication around 1263.
Seigneurs de Pellouaille et Beaumont - Home sponsors
Built a house in 1634.
Origin and history
The Saint-Laurent church of Saint-Simon-de-Pellouaille, originally dedicated to Saint Simon or Saint Sigismund, was renamed in the 19th century as Saint Laurent. His official dedication took place around 1263 under the episcopate of Pontius III, bishop of Saintes. This change of name marks a late liturgical evolution, while its construction, begun in the 11th and 13th centuries, reflects the Romanesque architectural transitions of the Saintonge region.
The building stands out for its typically Saintongese façade, adorned with a four-piece portal and carved capitals. A gallery with seven archatures, surmounted by a triangular pediment, crowned together, while the decorations of the archivot are inspired by Byzantine style. Inside, a dome on trunks and an octagonal bentier, carved in a column summer, recall its medieval heritage. A side chapel, adjacent to the bedside, supports a bell tower whose polygonal floor, added after the Middle Ages, bears witness to later changes.
The church was partially destroyed in the 20th century, but its classification as historical monuments in 1923 preserved its most remarkable elements. Among these, a quality house, built in 1634 by the seigneurs of Pellouaille and Beaumont, attests to the social and religious importance of the site. The successive modifications, such as the loss of its original vault and apse, illustrate the adaptations suffered by this heritage over the centuries.
Architecturally, the St. Lawrence Church embodies a mixture of styles, where the Saintonge novel dialogues with rare Byzantine influences in the region. Its portal, blind arches and polygonal bell tower make it an example of the rural churches of Charente-Maritime. Despite the destructions of the twentieth century, it remains a major witness to local sacred art, from its medieval consecration to its modern transformations.
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