Construction of the current building 4e quart XIIe siècle (≈ 1287)
Romanesque church with unique nave and apse
XVIIe siècle
Changes in openings south
Changes in openings south XVIIe siècle (≈ 1750)
Adding a retable masking the apse
XVIIIe siècle
Construction of the bell tower
Construction of the bell tower XVIIIe siècle (≈ 1850)
Initially covered with shingles
1885
Restoration of the roof
Restoration of the roof 1885 (≈ 1885)
Replacement with lauze (plates)
1985
Historical Monument
Historical Monument 1985 (≈ 1985)
Protection of the building and its paintings
2000-2004
Restoration of mural paintings
Restoration of mural paintings 2000-2004 (≈ 2002)
Scenes from the 13th, 15th and 16th centuries
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church of Saint-Léger (cad. A 347): classification by decree of 31 December 1985
Key figures
Information non disponible - No historical character cited
Sources do not mention any specific actors
Origin and history
The church of Saint-Léger, located in Champagné-le-Sec in Vienna, is a Romanesque religious building built at the end of the 12th century. Its existence from the early Middle Ages was suggested by the sarcophagi discovered in front of its western facade. Originally dependent on the Archpriest of Chaunay, it illustrates Poitevin rural architecture with its unique nave and semicircular apse.
In the 17th century, the southern openings were modified, and a altarpiece was installed, partially masking the apse. The bell tower, added in the 18th century, was initially covered with shingles before being restored in 1885 with a lauze roof, typical of southern Poitou. The building houses 13th, 15th and 16th century murals, restored between 2000 and 2004, representing religious scenes and seigneurial weapons.
Ranked a Historic Monument in 1985, the church retains remarkable elements such as its Saintongese capitals, its inner blind arcades and its cul-de-four. The adjacent sacristy, built in the 19th century, was recently destroyed. The successive restorations (1990s for the roof, 2000-2004 for the paintings) preserved its medieval character while adapting the building to modern cultural needs.
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