Romanesque portal vers 1130 (≈ 1130)
Added broken stick portal.
XIe siècle (seconde moitié)
Initial construction
Initial construction XIe siècle (seconde moitié) (≈ 1150)
Nef original novele partially preserved.
vers 1230-1240
Gothic reconstruction
Gothic reconstruction vers 1230-1240 (≈ 1235)
Expanded nave and vaulted dogives.
XIIIe siècle (seconde moitié)
Radiant Gothic choir
Radiant Gothic choir XIIIe siècle (seconde moitié) (≈ 1350)
Replacement of the novel choir.
16 octobre 1930
MH classification
MH classification 16 octobre 1930 (≈ 1930)
Registration for Historic Monuments.
1948-1950
Post-war restoration
Post-war restoration 1948-1950 (≈ 1949)
Repairs after bombardment.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 16 October 1930
Key figures
Saint Leufroy d'Évreux - Church patron
Relics brought in the ninth century.
Abbé Beaudouin - Revolutionary priest
Constitutional burial in 1791.
Baron Georges Ferdinand de Condé - 19th-century patron
Finances the restoration of 1858.
Eugène Müller - Local historian
Studyed the Romanesque portal in 1899.
Dominique Vermand - Heritage Officer
Analysis of Gothic architecture of the church.
Origin and history
The Saint-Leufroy church in Tiverny, located in the Oise (Hauts-de-France), is a modest but emblematic building, combining Romanesque and Gothic styles. Built from the 11th century, it preserves Romanesque elements such as the north wall of the nave and a broken stick portal (circa 1130). The nave, rebuilt around 1230-1240 in a Gothic style influenced by the church of Saint-Médard de Creil, contrasts with the sober choir of the second half of the 13th century, typical of the radiant Gothic. A rare 13th century stained glass window, representing St.Leufroy, remains in the bedside.
The dedication to Saint Leufroy d'Evreux (died 738) is explained by the history of the relics: fleeing Norman invasions in the ninth century, monks of the Abbey of La Croix-Saint-Leufroy brought them to Tiverny. Although lost before the Revolution, a vertebrae of the saint, offered in 1769 by the abbey of Saint-Germain-des-Prés, is still preserved in a shawl. The church, registered with the Historical Monuments in 1930, was restored after the damage of the Second World War (1948-1950).
The building illustrates the adaptation of Gothic principles on a small scale, with a vaulted nave and a stripped choir, reflecting local budgetary constraints. The Romanesque portal, the carved capitals, and the murals (Rinsels, Supper) bear witness to a preserved artistic heritage. The annual procession of 21 June, which disappeared after 1945, once celebrated the patron saint. Today, affiliated with the parish of Notre-Dame-des-deux-Rivières, the church no longer hosts regular celebrations.
The successive restorations (1858, 1870, 1981) allowed its preservation, despite troubled periods: revolutionary closure, partial destruction of the choir capitals, or replacement of the bell in 1872. The furniture includes, in addition to the classified stained glass, statues (Saint Leufroy, Saint Benedict), an 18th-century funeral slab, and baptismal fonts in monolithic stone. The exterior architecture, marked by Gothic foothills and a structural bell tower, is harmoniously integrated into the landscape of the Therain Valley.
The parish history reflects the national upheavals: constitutional oath of parish priest Beaudouin in 1791, suppression of worship under the Terror, and partial restoration. In the 19th century, Tiverny became a branch of Montataire (1870), before becoming part of an enlarged parish in 1996. The decline in its liturgical use since the 1970s contrasts with its remarkable state of conservation, the result of continuous maintenance since its inscription.
Local sources (Paul Darle, Eugène Müller, Dominique Vermand) underline his originality: a Romanesque nave enlarged in Gothic style, a choir without formets, and rudimentary capitals, signs of economy. The stained glass of Saint Leufroy, restored after 1945, remains the jewel of the building, symbol of a modest and precious heritage, anchored in the religious and social history of Oise.
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