Construction of church XIe siècle (≈ 1150)
Pre-Roman and Romanesque construction period.
1163
First written entry
First written entry 1163 (≈ 1163)
Church quoted in a historical document.
XVIe ou XVIIe siècle
Wall paintings of the choir
Wall paintings of the choir XVIe ou XVIIe siècle (≈ 1750)
Fresques representing rinsels and clouds.
1987
Historical monument classification
Historical monument classification 1987 (≈ 1987)
Official protection by the French State.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Saint-Marcel church in the hamlet of Flassa (cad. A 713): classification by decree of 6 July 1987
Key figures
Information non disponible - No character cited
The source text does not mention any specific historical actors.
Origin and history
The Church of St. Marcel of Flassa, located in the hamlet of Flassa in Serdinya (Pyrénées-Orientales), is a Romanesque and pre-Romanesque building dating from the 11th century. Its architecture, marked by a unique nave and quadrangular bedside, reflects the characteristics of the churches of this period in Languedoc-Roussillon. The bedside, adorned with a Lombard arch with light tuft arches, presents an attempt at polychromy with red stones inserted in the hangers. A bell tower with two arches dominates the junction between the nave and the bedside, while murals (XVI or XVII century) decorate the choir.
The church was first mentioned in 1163, although its construction dates back to the 11th century. Originally, the nave was arched in a cradle on double arches, later replaced by a frame. The choir, separated from the nave by a diaphragm wall, preserves frescoes depicting rinceaux and clouds. Classified as a historic monument in 1987, this church reflects the architectural and artistic evolution of the region.
The site is located precisely in Flassa, near Serdinya, in a mountain setting typical of the Pyrénées-Orientales. Its state of conservation and decorative elements make it a remarkable example of the medieval Occitan religious heritage. The entrance door, in full arch with tuff clasps, and the architectural details of the bedside underline its historical and cultural importance.
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