Partial destruction 1636 (≈ 1636)
Spanish invasion ravaging the building.
XVIe siècle
Initial construction
Initial construction XVIe siècle (≈ 1650)
First church built in Marcelcave.
1801
A devastating fire
A devastating fire 1801 (≈ 1801)
78 houses and the church partially destroyed.
1918
Total destruction
Total destruction 1918 (≈ 1918)
End of World War I.
1929
Reconstruction completed
Reconstruction completed 1929 (≈ 1929)
Art Deco building led by J. Antoine.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
J. Antoine - Architect
Directed the reconstruction between 1918-1929.
Pierre Turpin - Master glass
Realized the windows of the twelve apostles.
A. Boucheron et G. Leduc - Artists
Authors of frescoes in sgraffite.
Origin and history
The church of Saint-Marcel de Marcelcave, located in the Somme department east of Amiens, finds its origins in the sixteenth century. Its first construction was marked by the destructions linked to the Spanish invasion of 1636, then by a fire in 1801 which saved only the bell tower and the nave. These events forced partial reconstruction in the 19th century.
World War I sealed its destiny: the church and the village were completely destroyed in 1918. The reconstruction, led by architect J. Antoine between the two wars, was completed in 1929. This new building adopted an art deco style, mixing brick and stone, with geometric decorative elements and interior frescoes in sgraffitte, now partially erased.
The interior of the church is distinguished by its glass windows of Pierre Turpin, representing the twelve apostles, and its liturgical furniture in painted concrete. The porch, adorned with an arcade in the middle of the wall, has sculptures of birds, clusters of grapes and vine leaves, while the tympanum presents a Christ in majesty. These artistic details reflect a desire for rebirth after the ravages of the war.
The murals by A. Boucheron and G. Leduc illustrate religious scenes such as the Way of the Cross or historical figures such as Jeanne d'Arc and Saint Louis. Despite their degradation, they demonstrate the cultural and spiritual importance of this place to the local community, in a region deeply marked by the conflicts of the twentieth century.
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