Construction of the original church XVIIe siècle (≈ 1750)
Building destroyed during the First World War.
1928
End of reconstruction
End of reconstruction 1928 (≈ 1928)
Completion of work led by Duval and Gonse.
1929
Realization of the Way of the Cross
Realization of the Way of the Cross 1929 (≈ 1929)
Frescoes painted by Henri Marret.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Charles Duval - Architect
Co-author of reconstruction plans.
Emmanuel Gonse - Architect
Co-author of reconstruction plans.
Henri Marret - Painter
Author of the Way of the Cross (1929).
Raymond Couvègnes - Sculptor
Author of the porch tympanum.
Origin and history
The Church of Saint Martin of Arvillers, located in the Somme department, has a history marked by the destruction of the First World War. The original 17th century building was completely destroyed during the conflict, requiring complete reconstruction in the 1920s. This project was carried out according to the plans of architects Charles Duval and Emmanuel Gonse, with works completed in 1928. The new church combines modern materials such as reinforced concrete with traditional elements, such as brick and a bell tower covered with a slate.
The reconstruction included notable artistic works, including a tympanum carved by Raymond Couvegnes adorning the porch, as well as a cross path painted in 1929 by Henri Marret, presented in the form of frescoes framed as paintings. The interior also houses a wooden sculpture from the early 19th century representing the Virgin of the Annunciation, who was either rescued or reinstated after the war. The absence of transept and the flat bedside of the choir reflect a sober architectural bias, typical of post-war reconstructions in the region.
The church of Saint Martin is part of the broader context of the reconstruction of religious buildings in Picardia after 1918, illustrating both the loss of heritage of the war and the efforts of local renaissance. Its style, combining functionality and symbolism, bears witness to the artistic and technical challenges of the time, while perpetuating the memory of Saint Martin, patron saint of the parish and major figure of Christianity in France.
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