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Saint-Martin Church of Gonneville-sur-Honfleur dans le Calvados

Patrimoine classé
Patrimoine religieux
Eglise gothique
Calvados

Saint-Martin Church of Gonneville-sur-Honfleur

    L'Église 
    14600 Gonneville-sur-Honfleur
Crédit photo : Pymouss - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
XIIIe siècle
Initial construction
1450-1480
Estimated period of frescoes
1778
Adding sacristy
17 mai 1933
Registration for historical monuments
1957
Rediscovered frescoes
Aujourd'hui
Aujourd'hui

Heritage classified

Church: registration by decree of 17 May 1933

Key figures

Arcisse de Caumont - Historian and archaeologist Described the church in *Statistical Monument* (1862).
Baudouin de Condé - Medieval poet Author of the *Tit of the three dead and three alive*.

Origin and history

Saint-Martin de Gonneville-sur-Honfleur is a Catholic church in the Calvados department of Normandy. Dating mainly from the 13th century, it is distinguished by its cross structure and its use of travertine as the main material. The façade, with an ogival door, replaced an old Romanesque door, while the massive tower, with an octagonal truncated roof covered with slates, dominates the building. The nave, without a vault, is covered with wood panelling, and the church houses a remarkable 15th century fresco, The Dit of the Three Dead and the Three Living, rediscovered in 1957 under a layer of badigeon.

The building of the church was linked to the Abbey of Saint-Évroult, who held the appointment. The choir and transept, typical of the thirteenth century, were completed in 1778 by the addition of a sacristy. The building was listed as historic monuments on May 17, 1933 for its heritage value. Among its notable features are carved capitals, a north chapel decorated with a 17th century shield, and sculptures of angels partially destroyed after their discovery in 1957.

The murals, inspired by the poem by Baudouin de Condé, illustrate a moralizing scene where three young gentlemen are confronted with three dead in a cemetery, symbolizing the vanity of earthly pleasures and the importance of the soul's salvation. These paintings, dated between 1450 and 1480, bear witness to the artistic and religious influence of the late medieval period in Normandy. Arcisse de Caumont, in his work Statistique monumentale du Calvados (1862), also describes the architectural features of the building, highlighting its evolution since the Middle Ages.

External links