Construction of church XIIe siècle (≈ 1250)
Single-nave and apse novel building.
Fin XVIe siècle
Painted decors added
Painted decors added Fin XVIe siècle (≈ 1695)
ECU and litre under white coating.
7 janvier 1992
Registration Historic Monument
Registration Historic Monument 7 janvier 1992 (≈ 1992)
Protection of the church and the cross.
29 septembre 1997
Amendment of the Order
Amendment of the Order 29 septembre 1997 (≈ 1997)
Updating of protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box A 559) and cross of parvis (Box A, public domain): registration by decree of 7 January 1992, as amended by decree of 29 September 1997
Key figures
Information non disponible - No character identified
Sources insufficient for attribution.
Origin and history
The Saint-Martin church of Malleret-Boussac, located in the Creuse department in New Aquitaine, is a 12th-century religious building. It consists of a unique nave extended by a choir finished in semicircular apse, typical of Romanesque architecture. The nave, now covered with a glazed ceiling, preserves under its white coating traces of painted decorations, probably made at the end of the 16th century. These motifs include armored shields and a liter in silver and gules colours, one of which is surmounted by a comtal crown and supported by claws.
The church was partially protected under the Historical Monuments: the building itself (cadastre A 559) and the cross of the court (public domain) were registered by decree on 7 January 1992, as amended on 29 September 1997. The location of the church, although documented (Insee code 23120, commune of Malleret-Boussac), is considered to be unclear (level 5/10). Municipal ownership, its current state and conditions of access (visits, services) are not detailed in available sources.
The architectural and decorative elements of the church reflect its evolution throughout the centuries. The painted decor, although partially masked, reflects a desire to mark seigneurial or noble in the Renaissance, when local churches were often embellished by influential families. The absence of specific sources on sponsors or artisans, however, limits the understanding of its social and artistic history.