Construction by the Templars? Fin XIIe - Début XIIIe siècle (≈ 1325)
Assigned to Archambaud VI, origin contested.
XIVe siècle
Modification of the apse
Modification of the apse XIVe siècle (≈ 1450)
Five-paned horse.
XVIIIe siècle
Added bell tower
Added bell tower XVIIIe siècle (≈ 1850)
Replaces a medieval bell tower.
XIXe siècle
Discovery of an armored stone
Discovery of an armored stone XIXe siècle (≈ 1865)
Arms of the Dukes of Bourbon.
17 mai 1933
Registration for Historic Monuments
Registration for Historic Monuments 17 mai 1933 (≈ 1933)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 17 May 1933
Key figures
Archambaud VI - Sire de Bourbon
Suspected church commander.
Camille Gagnon - Local historian
Puts a hypothesis on the armored stone.
Origin and history
The Saint-Martin church of Vilhain, located in Bourbonnais (Allier), is an emblematic building of the transition between Romanesque and Gothic art. Built in the late 12th and early 13th centuries, it would have been erected by the Templars on the order of Bourbon Archambaud VI to defend Bourbon-l'Archambault castle. It housed a convent and cemetery, surrounded by water until the 19th century. However, the departmental archives (Allier, Rhône, Cher) do not confirm its Templar origin, although a nearby wood belonged to the Templar Commandery of Francheville in the 17th century.
During work in the 19th century, a stone with arms of the Dukes of Bourbon was discovered, suggesting a connection with Archambaud VI or a bastard son of the family. The church, registered as a historical monument in 1933, has a polylobic portal typical of the pilgrimage churches to Santiago de Compostela. Its arched nave of warheads and its cul-de-four apse (14th century) contrast with its 18th century bell tower, added after the disappearance of a medieval bell tower.
The restoration under way aims to restore its original structure and double-paned roof, prior to the 16th century. The capitals carved of foliage and the human-headed modillons bear witness to its rich Romanesque decor. The building, a communal property, remains a rare example of hybrid religious architecture, mixing military (fortification) and spiritual (pilgrimage) influences.
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