Medieval origins XIIe siècle (≈ 1250)
Traces of the first church.
XIVe siècle
Reconstruction of the church
Reconstruction of the church XIVe siècle (≈ 1450)
Current building built on remains of the twelfth.
26 mars 1969
Historical monument classification
Historical monument classification 26 mars 1969 (≈ 1969)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Cd. A 118): by order of 26 March 1969
Key figures
Évêque de Tulle - Appointment of the Prior
Local religious authority linked to the priory.
Évêque de Limoges - Collator of the cure
Responsible for the appointment of the parish priest.
Origin and history
The church Saint-Maur de La Roche-Canillac, located in the Corrèze department in New Aquitaine, has its origins in the 12th century, although the current building dates mainly from the 14th century. This religious monument, typical of rural Gothic architecture, was rebuilt after a first medieval phase, some traces of which remain. Its bell tower, characteristic of limousine churches, is pierced by four bays but only houses three bells. The porch, decorated with various sculptures (masks, animals, plant motifs), overlooks a niche housing a statue of Saint Martin, highlighting the iconographic importance of the building.
The church was once linked to a priory dependent on the bishop of Tulle or the local chapter, while his parish priest was the bishop of Limoges. Its plan includes a rectangular nave flanked by two dogive vaulted side chapels, whose capes carved with masks testify to a neat craftsmanship. The western facade, surmounted by the bell tower-wall, presents a broken arched portal decorated with yousures and friezes animated by animal figures and plant hooks. A blessed bishop statuette, housed in a threshing niche, dominates the entrance, reinforcing the sacred character of the place.
Ranked a historical monument by decree of 26 March 1969, the church Saint-Maur illustrates the rural religious heritage of Limousin. Its carved modillons, adorned capitals and flat bedside reflect both Gothic influences and local peculiarities. Today owned by the commune, it remains an architectural testimony of the fourteenth and twelfth centuries, mixing medieval heritage and later adaptations. The available sources (Wikipedia, Monumentum) confirm its inscription as historical monuments, without specifying any future restorations.
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