Construction of the choir and apse fin XIIIe siècle (≈ 1395)
Gothic origin of the religious building.
XVe siècle
Construction of the nave
Construction of the nave XVe siècle (≈ 1550)
Expansion of the medieval church.
1766
Neve extension
Neve extension 1766 (≈ 1766)
Major architectural modification.
26 août 1914
Fire from the bell tower
Fire from the bell tower 26 août 1914 (≈ 1914)
Damage caused by German troops.
années 1920
Creation of stained glass windows
Creation of stained glass windows années 1920 (≈ 1920)
Works of the Benoit Frères workshops.
26 mars 1982
Historical monument classification
Historical monument classification 26 mars 1982 (≈ 1982)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (Box AO 185): registration by decree of 26 March 1982
Key figures
Information non disponible - No key character mentioned
Sources don't mention any individuals.
Origin and history
The Saint-Maximin church of Jarny, located in the Meurthe-et-Moselle department in Lorraine, is a Catholic building marked by a hybrid architecture. Its choir and apse, dating from the end of the 13th century, contrast with a 15th century nave, extended in 1766. The thick walls and Gothic arches reflect this stylistic duality, while the bell tower, the former dungeon of the fortified enclosure, recalls its defensive origin. This bell tower, modified after a fire caused by German troops in 1914, illustrates the scars left by World War I.
Inside, the church houses fragmentary frescoes and a set of stained glass from the 1920s, made by the Benoit Frères de Nancy workshops. Among these stained glass windows, one commemorates the tragedy of August 26, 1914, and another represents miners under the protection of Saint Barbe, highlighting the link between the local community and its religious heritage. These artistic elements, added after the war, bear witness to a desire for reconstruction and memory.
Classified as historical monuments by decree of 26 March 1982, the church embodies both a medieval heritage and a resilience to modern conflicts. Its history reflects that of Jarny, marked by architectural transformations and tragic events, while remaining a place of worship and memory for the people of Lorraine. The presence of stained glass windows dedicated to miners also reminds the importance of mining activity in the region, integrated into local spiritual life.
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