Initial vestiges XIe siècle (≈ 1150)
Northern parts of the nave retained.
1189
Donation to the Abbey
Donation to the Abbey 1189 (≈ 1189)
Ceded by Nivelon I of Quierzy.
Début XIIe siècle
Reconstruction of the nave
Reconstruction of the nave Début XIIe siècle (≈ 1204)
Nef and low side rebuilt, Romanesque style.
Fin XIIe - Début XIIIe siècle
Completion of the transept
Completion of the transept Fin XIIe - Début XIIIe siècle (≈ 1325)
North and then south arm added.
1913
Historical Monument
Historical Monument 1913 (≈ 1913)
Official protection of the building.
1918-1929
Post-war restoration
Post-war restoration 1918-1929 (≈ 1924)
Cover by Lucien Sallez.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: by decree of 10 February 1913
Key figures
Nivelon Ier de Quierzy - Bishop of Soissons
Donor of the church in 1189.
Lucien Sallez - Architect of Historic Monuments
Directed the restoration of 1928-1929.
Origin and history
The church of Saint-Médard-et-Saint-Gildard de Lhuys, located in the department of Aisne in the Hauts-de-France region, is a religious building dating back to the 11th, 12th and 13th centuries. The oldest remains, dated the eleventh century, are found in the northern parts of the nave. Major reconstruction began in the 12th century with the nave and its sides, followed by the addition of an oblong choir replacing a primitive semicircular apse. The transept, characterized by arches of warheads and stone altar niches, was gradually completed between the late twelfth and early thirteenth centuries. The choir's capitals have a sculpted decoration similar to that of the church of Glennes, suggesting a common origin, perhaps a single workshop or craftsman.
In 1189, the bishop of Soissons, Nivelon I of Quierzy, offered the church to the chapter of Notre-Dame-des-Vignes Abbey, which became its collator and decimator under the Old Regime. Major restorations took place in the 19th century (1890 and 1912) before it was classified as a Historic Monument in 1913. Damaged during World War I in 1918, his cover was restored between 1928 and 1929 under the direction of architect Lucien Sallez. Today, the building combines elements of Romanesque (lambrissed nave) and Gothic (dogive vaults, transept), with a flat and slate tile cover.
The church is distinguished by its cross plan, with a nave accompanied by low-sides with various covers (lambris to the north, fake modern plaster vault to the south). The choir, with a flat bedside, and the vaulted transept illustrate the evolution of architectural techniques between the 12th and 13th centuries. Two altars dedicated to the Virgin (North Arm) and Saint Anthony (South Arm) are mentioned in the 19th century, reflecting local devotion. The monument, owned by the commune, bears witness to the religious and artistic history of Picardia, between medieval heritage and modern restorations.
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