Initial construction 1340-1350 (≈ 1345)
Edification of the nave and side chapels.
17 septembre 1359
Intramural transfer
Intramural transfer 17 septembre 1359 (≈ 1359)
Accord to move the church into the enclosure.
24 mars 1398
Attested completion
Attested completion 24 mars 1398 (≈ 1398)
Complaint on the bells confirming the completion of the work.
XVIIIe siècle
Renovation of the choir
Renovation of the choir XVIIIe siècle (≈ 1850)
Addition of pilasters and paintings, restored in 1890.
1925
MH classification
MH classification 1925 (≈ 1925)
Protection for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Parish church: by decree of 23 April 1925
Key figures
Élie de Lagrasse - Abbé de Lagrasse
Signatory of the 1359 agreement for the transfer.
Consuls de Lagrasse - Municipal representatives
Negotiators of the transfer of the church in 1359.
Origin and history
The church Saint-Michel de Lagrasse, located in the Aude department in the Occitanie region, was built between the 4th quarter of the 14th century and the 15th century. Ranked a historic monument since 1925, it features a Gothic architecture marked by a unique nave bordered by lateral chapels, whose arch keys bear the emblems of the 14th century local corporations. The bell tower, of square plan, is backed by the bedside, while the north facade, never finished, reveals an initial project unabouti.
Originally, the church was designed to consist of six spans, but only one part was realized. The main gate, originally designed for a more ambitious west façade, was finally integrated between the first and second spans. A secondary gate, protected by a vaulted porch of quadripartite warheads, was added to the east wall. The monumental sculptures, especially in the apse and on the caps (human heads, fantastic animals), testify to the activity of a quality artistic workshop, while the speckled windows illuminate the choir.
The building was transferred inside the walls of Lagrasse in 1359, following an agreement between the city consuls and Abbé Élie de Lagrasse. A 1398 complaint concerning the bell ringing attests to its completion at this time. In the 18th century, the choir was redesigned with a decoration plated with pilasters and paintings, restored in 1890. The windows, initially obstructed, were then cleared, and the nave covered with false arches of warheads probably in the 19th century.
The lateral chapels, planned from the initial plan, contain engraved symbols representing the occupations of Lagrasse in the 14th century, reflecting the central role of the church in the economic and social life of the medieval city. The bell tower, accessible by a screw staircase, dominates the whole, while the absence of a north facade gives the building a characteristic asymmetry. The church, owned by the commune, remains a major testimony of southern religious architecture and its evolution throughout the centuries.
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