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Church of Saint-Michel de Lestignac and cemetery à Sigoulès en Dordogne

Patrimoine classé
Patrimoine religieux
Eglise
Clocher-mur
Dordogne

Church of Saint-Michel de Lestignac and cemetery

    10 Chemin du Lac
    24240 Sigoulès-et-Flaugeac
Église Saint-Michel de Lestignac
Eglise Saint-Michel de Lestignac et cimetière
Eglise Saint-Michel de Lestignac et cimetière
Eglise Saint-Michel de Lestignac et cimetière
Eglise Saint-Michel de Lestignac et cimetière
Eglise Saint-Michel de Lestignac et cimetière
Eglise Saint-Michel de Lestignac et cimetière
Eglise Saint-Michel de Lestignac et cimetière
Eglise Saint-Michel de Lestignac et cimetière
Eglise Saint-Michel de Lestignac et cimetière
Crédit photo : Natureln - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1300
1400
1500
1600
1700
1800
1900
2000
1265
First written entry
XVe siècle
Major changes
XIXe siècle
Choir reduction
1er février 1988
Registration MH
Aujourd'hui
Aujourd'hui

Heritage classified

Church facades and roofs; Cemetery (Cd. A 293, 468): entry by order of 1 February 1988

Key figures

Information non disponible - No character cited Sources do not mention any historical actors

Origin and history

The church of Saint-Michel de Lestignac, mentioned in 1265, then depended on the archpried of Flaugeac. Its initial architecture included a nave followed by a flat-side choir, typical of late Romanesque constructions. The nave, originally vaulted in a broken cradle, was recast in the 15th century of a panel, while a staircase integrated in the thickness of the walls led to the bell tower. The latter, a two-bay bell tower-wall type, dominates a facade adorned with a four-archivot sculpted portal and an arch in a braid decorated with vegetal motifs (crochets, cabbage).

In the 15th century, two pillars separating the nave from the choir carried carved capitals: one represented two dogs facing a snake (at Epistle side), the other a garland of renuncles (at Gospel side). These elements, now partially masked, bear witness to a medieval symbolic iconography. The choir was modified in the 19th century to develop a sacristy, occulting a credence and a flamboyant axial bay, characteristic of late Gothic. The adjacent cemetery, inscribed with the church since 1988, retains traces of its historic parish use.

The building illustrates the architectural evolutions between the 13th and 15th centuries, combining Romanesque elements (nef, flat bedside) and Gothic (sculpted decorations, flamboyant reamplage). The presence of an integrated staircase and a bell tower-wall reflects practical adaptations common in the rural churches of the region. Subsequent transformations, such as the reduction of the choir, met modern liturgical needs, partially altering the medieval integrity of the building.

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