First written entry 1265 (≈ 1265)
Church dependent on Flaugeac
XVe siècle
Major changes
Major changes XVe siècle (≈ 1550)
Revealing, carved capitals, arched
XIXe siècle
Choir reduction
Choir reduction XIXe siècle (≈ 1865)
Installation of a sacristy
1er février 1988
Registration MH
Registration MH 1er février 1988 (≈ 1988)
Protected facades, roofs and cemetery
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church facades and roofs; Cemetery (Cd. A 293, 468): entry by order of 1 February 1988
Key figures
Information non disponible - No character cited
Sources do not mention any historical actors
Origin and history
The church of Saint-Michel de Lestignac, mentioned in 1265, then depended on the archpried of Flaugeac. Its initial architecture included a nave followed by a flat-side choir, typical of late Romanesque constructions. The nave, originally vaulted in a broken cradle, was recast in the 15th century of a panel, while a staircase integrated in the thickness of the walls led to the bell tower. The latter, a two-bay bell tower-wall type, dominates a facade adorned with a four-archivot sculpted portal and an arch in a braid decorated with vegetal motifs (crochets, cabbage).
In the 15th century, two pillars separating the nave from the choir carried carved capitals: one represented two dogs facing a snake (at Epistle side), the other a garland of renuncles (at Gospel side). These elements, now partially masked, bear witness to a medieval symbolic iconography. The choir was modified in the 19th century to develop a sacristy, occulting a credence and a flamboyant axial bay, characteristic of late Gothic. The adjacent cemetery, inscribed with the church since 1988, retains traces of its historic parish use.
The building illustrates the architectural evolutions between the 13th and 15th centuries, combining Romanesque elements (nef, flat bedside) and Gothic (sculpted decorations, flamboyant reamplage). The presence of an integrated staircase and a bell tower-wall reflects practical adaptations common in the rural churches of the region. Subsequent transformations, such as the reduction of the choir, met modern liturgical needs, partially altering the medieval integrity of the building.
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