Construction of church Fin XIe - Début XIIe siècle (≈ 1225)
Built by Dominicans, double nave architecture.
1499
Construction of organ buffet
Construction of organ buffet 1499 (≈ 1499)
Work by Antonius Millani, among the oldest in France.
1661
Construction of the bell tower
Construction of the bell tower 1661 (≈ 1661)
Late addition to medieval structure.
1846
Historical monument classification
Historical monument classification 1846 (≈ 1846)
First list of French historical monuments.
1905
Organ classification
Organ classification 1905 (≈ 1905)
Protection of the buffet as a historical object.
1984
Registration of statues
Registration of statues 1984 (≈ 1984)
Saint Wolf (XVIIe) and Saint Anne (XVIIIe) protected.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: ranking by list of 1846
Key figures
Antonius Millani - Organ factor
Built the buffet in 1499.
Origin and history
The Church of Saint Michael the Archangel of Sollies City is a medieval religious building built between the late 11th and early 12th centuries by the order of Dominicans. Located in the Var department, in the Provence-Alpes-Côte d'Azur region, it is part of the diocese of Fréjus-Toulon. Its original architecture, with two parallel naves of equal width, allowed to simultaneously celebrate two separate offices, one for the laity and the other for the Jacobin brothers. The inner proportions are in a double square, with a height equal to the width (11.80 m) and a double length (22.76 m).
The current bell tower, added much later in 1661, contrasts with the medieval structure. The church was classified as historic monuments in 1846, recognizing its exceptional heritage value. Among its remarkable elements is an organ whose buffet, built by Antonius Millani in 1499, is one of the oldest in France. Two statues, representing Saint Loup (17th century) and Sainte Anne (18th century), complete this furniture classified or inscribed with historical monuments.
The architecture of the church is characterized by 13-metre-high central pillars, various arches (broken arches, diagonal arches, double arches), and a three-way portal. The high curved windows and oculi bring natural light to the building. This monument illustrates both Provencal Romanesque art and the liturgical adaptations of the Dominican order, while at the same time testifying to the architectural evolution over centuries.
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