First mention of the parish vers 1080 (≈ 1080)
Archives evoking Meillonnas for the first time.
2e moitié XIVe siècle
Medieval origins
Medieval origins 2e moitié XIVe siècle (≈ 1450)
Initial construction and frescoes of chapels.
1832-1840
Major work programme
Major work programme 1832-1840 (≈ 1836)
Reconstruction and addition of the current bell tower.
1986
Rediscovered frescoes
Rediscovered frescoes 1986 (≈ 1986)
Update of medieval wall decorations.
1997
Partial removal of frescoes
Partial removal of frescoes 1997 (≈ 1997)
Restoration and study of 14th century paintings.
7 novembre 2002
Historical monument classification
Historical monument classification 7 novembre 2002 (≈ 2002)
Full protection of the building and its frescoes.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire church (Box F 117): by order of 7 November 2002
Key figures
Jean de Corgenon - Suspected Sponsor
Chapel of Our Lady with her name.
Origin and history
The church of Saint-Oyen de Meillonnas, located in the Ain department in the Auvergne-Rhône-Alpes region, finds its origins in the Middle Ages, with a first mention of the parish around 1080. The present building, partly medieval, underwent major reconstructions in the 17th and 19th centuries, especially between 1832 and 1840. These works incorporated ancient elements, such as the chapels of John of Corgenon (or Notre-Dame) and the Holy Spirit, decorated with 14th-century frescoes rediscovered in 1986 and partially opened in 1997.
The Notre Dame chapel, surmounted by a bell tower around 1840, lost its original east wall, pierced by a Gothic bay, replaced by a large arcade in the 19th century. The frescoes, partially visible through soundings, suggest a wider wall decor, now partly masked. The church, classified as a historical monument in 2002, thus illustrates a superimposition of styles and periods, from medieval frescoes to 19th century developments.
The church of Saint-Oyen, owned by the municipality of Meillonnas, bears witness to the local architectural and religious evolution. Its classification in 2002 highlights its heritage value, combining Gothic heritage, Baroque transformations and 19th century interventions. The 14th century frescoes, though fragmentary, offer a rare glimpse of medieval wall decoration in the region, while the restoration campaigns have adapted the building to successive cultural and aesthetic needs.
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