Bombardments of Le Havre 1944 (≈ 1944)
Destruction of the City Hall and the Stock Exchange Palace
16 mai 1953
Laying the first stone
Laying the first stone 16 mai 1953 (≈ 1953)
Beginning of church construction
2023
Decommissioning of the Church
Decommissioning of the Church 2023 (≈ 2023)
Closing for financial reasons
2025
Planned sale
Planned sale 2025 (≈ 2025)
Rehabilitation project in progress
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Maurice-Eugène Platel - Architect
Church Designer with Gastaldi
Henri Gastaldi - Architect
Co-author of the architectural project
Charles Jacob - Sculptor
Author of Christ on the Cross*
Origin and history
The church of Saint-Paul d'Aplemont is a religious building located in the district of Aplemont, Le Havre (Seine-Maritime, Normandy). It was designed by architects Maurice-Eugène Platel and Henri Gastaldi, marking a stage in the reconstruction of the city after the destruction of 1944. Its materials come from the rubble of the former Town Hall and the Stock Exchange Palace, symbols of a local heritage ravaged by the bombings.
The first stone was laid on 16 May 1953, and the church houses a cross Christ carved by Charles Jacob. This monument, a witness to the urban and religious history of Le Havre, reflects the architectural and memorial challenges of the post-war period. Its style and materials recall the resilience of a community to the ruins.
Disused in 2023 for financial reasons, the church was put on sale in 2025 by the diocese of Le Havre. Despite its cultural abandonment, rehabilitation projects are envisaged to preserve this historic place. Its future questions the collective memory and the valorization of the heritage of the twentieth century.
The re-used stones from the destroyed iconic buildings give the church a strong symbolic dimension. It illustrates the transformation of the remains into new spaces, while honouring the past. This architectural choice also highlights innovation in reconstruction, combining tradition and modernity.
The district of Aplemont, where it stands, has undergone an urban evolution marked by industrialization and reconstruction. The church, though desecrated, remains a landmark in this changing landscape, between heritage and contemporary adaptation.
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