Construction of church 1728 (≈ 1728)
Initial construction of the building.
1771
Ordering altars
Ordering altars 1771 (≈ 1771)
Three altars made by André Moosbrugger.
1778
Expansion of the choir
Expansion of the choir 1778 (≈ 1778)
Extension on the choir side of the church.
1804
Change of diocese
Change of diocese 1804 (≈ 1804)
Transfer to Rohrbach from Metz.
1966
Liturgical transformations
Liturgical transformations 1966 (≈ 1966)
Post-Vatican II changes.
1985
Installation of the organ
Installation of the organ 1985 (≈ 1985)
Orgue nine by Muhleisen.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
André Moosbrugger - Stucator
Author of the high altar (1771).
Laurent Holtzer - Curé de Gros-Réderching
Describes the altar in 1779.
Origin and history
The church of Saint-Pierre d'Achen, located in the Moselle department (Great East Region), is a religious building built in 1728 and enlarged choir side in 1778. Dedicated to St Peter, it was under the snack of the Cistercian abbey of Sturzelbronn until 1621 and served as a mother church in the nearby parishes of Etting and Kalhausen. His parish history dates back to the archiprired of Hornbach (Diocese of Metz), before his attachment to that of Rohrbach in 1804.
The church furniture includes a baroque high altar (1771), the work of stucator André Moosbrugger, the only surviving of the 1966s. Made of artificial marble and gold, it houses a statue of Saint Peter framed by Saint Lucia and Saint Paul. The altarpiece, with composite columns and concave pediment, illustrates the influence of Vorarlberge artisans (Moosbrugger family), active in the region in the eighteenth century. The tabernacle, the oldest thirty years old, would come from the former high altar.
Other remarkable features include 18th-century baptismal fonts in pink and grey sandstone, adorned with a rare sculpted half-relief baptism scene. The current organ, installed in 1985, is the work of the Muhleisen Manufacture. These elements bear witness to the artistic and liturgical evolution of the building, marked by the reforms of the Second Vatican Council (the 1960s).
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