First mention of the church vers 1110 (≈ 1110)
Transfer of rights by Adele de Selvesse.
XIIe siècle
Construction of the choir
Construction of the choir XIIe siècle (≈ 1250)
The oldest part preserved.
1528
Bell font
Bell font 1528 (≈ 1528)
Historical bell still in place.
1619
Reconstruction of the church
Reconstruction of the church 1619 (≈ 1619)
Romanesque style adopted.
1946
Falling of the bell tower
Falling of the bell tower 1946 (≈ 1946)
Reconstructs afterwards.
2001
Restoration campaign
Restoration campaign 2001 (≈ 2001)
Major work on the structure.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Adèle de Selvesse - Founder of Ardres
Cedes church rights in 1110.
Milon - First Bishop of Therouanne
Beneficiary of assigned rights.
Origin and history
The church of Saint-Pierre de Bonningues-lès-Calais, located in Pas-de-Calais, has its origins in the early twelfth century. Around 1110, a first mention of the church appeared during the transfer of his rights by Adèle de Selvesse, founder of Ardres, to Milon, the first bishop of Thérouanne. This historical document attests to its early existence and its attachment to the local religious network.
The current choir, dating from the 12th century, is the oldest part of the building. The church was completely rebuilt in 1619 in a Romanesque style, marking a major transformation of its structure. This reshaping reflects the architectural changes and liturgical needs of the time, while preserving medieval elements.
In the 20th century, the church suffered significant damage, including the collapse of its bell tower in 1946, probably related to the consequences of the Second World War. A reconstruction of the bell tower and a restoration of the roof followed, allowing to safeguard the building. The bell, dating from 1528, remains a valuable testimony of its history.
A restoration campaign carried out in 2001 involved several key elements: the choir, the forerunner, the dropural walls, the vaults, as well as the consolidation of the belfry and stained glass windows. These interventions were aimed at preserving the structural and artistic integrity of the building, while studying elements such as the altarpiece and the beam of glory.
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