Construction of church Deuxième moitié du XIIe siècle (≈ 1275)
Romanesque building with Latin cross and bedside
Fin du XVe siècle
Remanufacturing of the portal
Remanufacturing of the portal Fin du XVe siècle (≈ 1595)
Door in basket handle added
1656
Collapse of the nave
Collapse of the nave 1656 (≈ 1656)
Reconstruction with original elements
1767
Creation of the Tabernacle altar
Creation of the Tabernacle altar 1767 (≈ 1767)
Ranked in 1980 as Furniture
XIXe siècle
Restoration of the vault
Restoration of the vault XIXe siècle (≈ 1865)
Brick vault replacing the original
1910
Historical monument classification
Historical monument classification 1910 (≈ 1910)
Protection of the entire building
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Ranked MH
Key figures
Information non disponible - No character cited
The source text does not mention any historical actors
Origin and history
The church Saint-Pierre de Champagnolles, located in the Charente-Maritime department in Nouvelle-Aquitaine, is a Romanesque religious building built in the second half of the 12th century. Dedicated to St Peter, it is characterized by a Latin cross plan, a nave of four spans with broken cradles, and a seven-sided bedside decorated with windows in the middle of the hanger. Its three-storey quadrangular bell tower dominates the centre of the city, while its western façade, which was redesigned at the end of the 15th century, preserves Romanesque elements such as carved modillons and a diamond-pointed cornice.
The monument underwent several major transformations: the nave collapsed in 1656 before being rebuilt with original elements, and the vault was rebuilt into bricks in the 19th century. Ranked a historic monument in 1910, the church houses an 18th century altar-tubernacle, classified in 1980, as well as a canonial dial and a medieval cemetery cross. His Romanesque sculptures, including the modillons and capitals of bedside and transept, illustrate various themes, ranging from geometrical motifs to symbolic representations of lust or evil, typical of Saintonge's Romanesque art.
The bedside, inspired by that of Saint-Eutrope de Saintes, features a high archature and windows with checkered sculptures, while the transept houses two apsidioles, one of them from the north, semicircular, decorated with figurative modillons. The bell tower, with blind bays and bare capital columns, recalls its defensive role during the Wars of Religion. The building, marked by Byzantine and eastern influences in its façade, also bears witness to the links with the Templars, as evidenced by a cross engraved above a window.
Interior decorative elements, such as nave claw columns or foliage capitals, contrast with the sobriety of subsequent changes. The western gate, transformed at the end of the 15th century, has prismatic mouldings and a voluminous fleuron, while the external modillons, often ignored by guides, reveal a rich iconography, mixing fantastic bestiary and scenes of everyday or allegorical life. These details, combined with the turbulent history of the building, make it a remarkable example of the Romanesque heritage in Saintonge.
The Saint-Pierre church, by its architecture and decors, reflects the cultural and artistic exchanges of the region, especially with local workshops such as the one that worked at the Saint-Blaise church in Givrezac. Its classification in 1910 underlines its historical and architectural importance, while its furniture elements, such as the 18th century altar, enrich its heritage value. Today, it remains a living testimony of the Romanesque art and religious history of Charente-Maritime.
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