Construction of church limite XVe-XVIe siècles (≈ 1650)
Gothic building flamboyant to three naves.
1914-1918
Damage during the First War
Damage during the First War 1914-1918 (≈ 1916)
Post-conflict restoration required.
après 1945
Replacement of stained glass windows
Replacement of stained glass windows après 1945 (≈ 1945)
Works by Hofman and Adam.
milieu du XIXe siècle
Archaeological discovery
Archaeological discovery milieu du XIXe siècle (≈ 1950)
Medieval cemetery exhumed in 1861.
seconde moitié du XIXe siècle
Adding sacristy
Adding sacristy seconde moitié du XIXe siècle (≈ 1975)
Brick construction and appentis.
13 octobre 1998
Historical monument classification
Historical monument classification 13 octobre 1998 (≈ 1998)
Registration by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (cad. AB 133): registration by decree of 13 October 1998
Key figures
Agent Voyer - Municipal official
Documented the searches of 1861.
Léo Hofman - Glass painter
Author of stained glass post-1945.
Adam - Glass painter
Collaborator with modern stained glass windows.
Origin and history
Saint-Pierre de Grand-Verly Church, located in the Aisne department in the Hauts-de-France region, is a Catholic religious building built at the hinge of the 15th and 16th centuries. Its flamboyant Gothic architecture is characterized by a three-span nave flanked by collaterals, a polygonal bedside with buttress, and an octagonal steeple. The interior, entirely vaulted on cross of warheads, preserves capitals with vegetal decoration in the choir. The building was partially damaged during the two world conflicts, but its interior was preserved, while its stained glass windows were completely replaced after 1945.
In 1861, work on the square adjacent to the church revealed an ancient medieval cemetery, with superimposed burials and pottery artifacts. At a depth of 1.50 m, a grave dug in limestone was discovered, containing the remains of a young dead individual. This site, mentioned in a report by Agent Voyer, suggests an ancient funeral occupation around the building, possibly linked to its parish role. These discoveries evoke the evolution of the sacred space, where the cemetery, once more extended, has been gradually reduced over the centuries.
Ranked a historic monument by order of 13 October 1998, Saint Peter's Church was restored after the First World War, in particular to repair the damage suffered. A brick sacristy, covered with an appentis roof, was added in the second half of the 19th century. The current stained glass windows, made by the glass painters Léo Hofman and Adam, date from the post-Second World War. The building, owned by the municipality, thus illustrates both the late Gothic heritage and the modern adaptations related to conflicts.
The church plays a central role in local life, as evidenced by archaeological traces and its inscription in the heritage. Its architecture, marked by massive foothills and an entrance porch topped by the bell tower, reflects the construction techniques of the late Middle Ages. Interior decorations, such as warhead crosses and carved capitals, highlight the artistic importance of the building. Today, it remains an active place of worship and a symbol of the religious heritage of the Hauts-de-France.
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