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Saint Peter's Church of Lachapelle dans le Tarn-et-Garonne

Patrimoine classé
Patrimoine religieux
Eglise baroque
Tarn-et-Garonne

Saint Peter's Church of Lachapelle

    Village
    82120 Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Église Saint-Pierre de Lachapelle
Crédit photo : MOSSOT - Sous licence Creative Commons

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
XVe siècle
Reconstruction of the church
1608
Rehabilitation order
1762-1776
Rococo decor
1801
Back to worship
1975
MH classification
1991
Restoration of the ceiling
Aujourd'hui
Aujourd'hui

Heritage classified

Church (Box AI 48): Order of 7 April 1975

Key figures

Jean-Baptiste Goulard - Parish priest (1746-1787) Sponsor of the Rococo decor with his brother.
Jean Goulard - Vicar of Lachapelle (from 1754) Co-financer of inland works.
Bertrand Maraignon dit Champaigne - Menu-sculptor Author of the panels and stands (1776).
M. Abadie - Artisan goldsmith Participates in the interior decoration rococo.
Bernard Maguelonne - Mayor of Lachapelle (1848) Owner of the adjacent castle until 1993.

Origin and history

The church of St. Peter of Lachapelle, located in Tarn-et-Garonne in Occitanie, finds its origins in the 15th century, with a major reconstruction or modification to make it the parish church after the destruction of the original village of Sant-Alari during the Hundred Years War. The northern portal, in Gothic style, dates from the beginning of the 15th century, while the southern façade was redesigned in the 17th century, probably in connection with a decision of the Toulouse parliament in 1608 ordering the renovation of the churches. The 1.40 metre thick bell tower was partially destroyed by lightning in 1812, then restored in the 19th century with the addition of a fifth bell.

The castral chapel, originally reserved for the Templars in the 12th or 13th century, was integrated into the enclosure of the nearby castle. The latter, the successor property of the Viscounts of Lomagne, Talleyrand, Goth, and Lanusse, was sold as a national good at the Revolution, as was the church. It was restored to worship after the Concordat of 1801 and listed as a historical monument in 1975. Its bedside, perhaps dating from the twelfth century, overlooks the courtyard of the castle and retains traces of openings closed in the eighteenth century.

The interior decoration, created between 1762 and 1776 under the impulse of the Goulard brothers (Jean-Baptiste, parish priest, and Jean, vicar), is a rococo masterpiece financed by their heritage. The artisans Bertrand Maraignon (carpenter) and M. Abadie (deur) worked there, creating a unique ensemble in the region, with two-storey stands to accommodate parishioners. This decoration, inspired by Roman art and the Counter-Reform, was restored in 1861, 1879, and 1991, including its original ceiling. The seven paintings destroyed during the Revolution were replaced by the gifts of the inhabitants.

The church illustrates the architectural and religious evolution of Lomagne, marked by conflicts (the Hundred Years War, the Wars of Religion) and social transformations. Its history also reflects the influence of military orders (Templars, Hospitallers) and local lords, such as Armagnac or Fourquevaux. The richness of its decor contrasts with the external simplicity, testifying to the symbolic importance of parish churches in the rural communities of the Ancien Régime.

Classified as historical monuments in 1975, Saint Peter's Church remains a remarkable example of the adaptation of a medieval building to the artistic tastes of the eighteenth century. Its bell tower, stands, and furniture (such as the statue of the Virgin with the Child referenced in the Palissy base) make it a local and emblematic heritage of Occitanie.

External links